Photograph: Matt Paish
Photograph: Slawek Kozdras
Photograph: Margo Ryan
Photograph: Stephen Jackson
Photograph: Cameron MacMaster
Photograph: Daniel Possamai
Photograph: Dom Burdon
Photograph: Doug Nicholls
Photograph: Matt Wood
Photograph: Nora de Angelli
Photograph: Peter Feenan
Photograph: Simon J Smith
Photograph: Mark Hughes
Photograph: Andrew Barber
Photograph: Stuart Goodwin
Natalie Mayer, judge: Lovely lighting happening here, a beautiful depiction of working. I would like to have seen a little more of the work that was going on – because as the subject seems to have stopped his task for the photograph we are missing the action. But still, the colours and scene photographed here are very pleasing to view.
Photograph: Nick White
Natalie Mayer, judge:This is a very classically beautiful shot, well captured. It works well that the photographer has allowed us to see the profile of the subjects' face – if she had been turned more away from the camera, the definition would have been lost and the image would have suffered as a result. The composition is also very well balanced, with the subject walking into the image. Photograph: Bjorn Olsson
Natalie Mayer, judge: I'm delighted by the balance of this image. Initially the three symmetrical windows are very pleasing, then we notice the three men, all in a different position, all focussed on something else. As we look from one to the next, we find they are all interesting, independently. The chap in the front, engrossed in his own conversation, adds yet another point of interest. Overall, lots going on, and beautifully captured at an opportune moment.
Photograph: John Hodgson