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The Guardian - UK
The Guardian - UK
Lifestyle
Skye Sherwin

Raymond Pettibon’s No Title (The Greayt Power…), 2016

Raymond Pettibon’s  No Title (The Greayt Power) 2016
Raymond Pettibon’s No Title (The Greayt Power) 2016. Photograph: Sadie Coles HQ

Writing on the wall

The style is scratchy, suggesting old-fashioned illustration, cartoon and doodle. The turquoise and purple colouring vibrates like a bad trip. Then there’s the text: fragmentary, poetic, overblown, funny spelling. This ink drawing of Joan Crawford could only be the handiwork of Raymond Pettibon.

Punk

Pettibon’s early works graced sleeves and fliers of bands such as Black Flag and Sonic Youth and self-published ’zines. Although he’s often been the subject of major museum shows, punk’s disaffection still echoes through his distinct oeuvre.

Pulp fiction

There are thousands of drawings to his name and their disorienting effect is perhaps best experienced en masse. In his unique mesh of oblique cultural satire and existential musing, Pettibon collides low and high-brow, the pulpy and the philosophical.

Bad dreams

Alongside surfers, Charles Manson and erect penises, the demon mother movie star Crawford has been a recurring subject. A femme fatale, she’s a neat symbol of the American dream gone toxic. Her image is upended by what seems both grand existential outcry and unfinished internal mutterings.

Sadie Coles HQ, W1, to 20 Aug

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