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The Guardian - UK
The Guardian - UK
Lifestyle
Jonathan Jones

Picasso, Caravaggio and quantum physics – the week in art

The Cheat with the Ace of Clubs by Georges de la Tour (about 1630-34), from the National Gallery’s Beyond Caravaggio exhibition.
The Cheat with the Ace of Clubs by Georges de la Tour (about 1630-34), from the National Gallery’s Beyond Caravaggio exhibition. Photograph: Kimbell Art Museum, Fort Worth, Texas

Exhibition of the Week

Beyond Caravaggio
One of those artists who blast his rivals off the walls, Michelangelo Merisi da Caravaggio nevertheless inspired a legion of followers in early 17th-century Europe. How do their works compare with his?
National Gallery, London, 12 October-15 January

Also showing

Picasso Portraits
There is a lot to love in this examination of Picasso as a portraitist but it is too small to do justice to his epic creativity and too staid to reveal the way he revolutionised the human image. Still, it does have his 1910 portrait of Kahnweiler, his 1906 Self-Portrait, and some hilarious, bawdy caricatures.
National Portrait Gallery, London, to 5 February

Ed Ruscha
At once a conceptual artist and a painter, Ruscha is one of the wittiest and most stylish commentators on modern life.
Gagosian Gallery, Grosvenor Hill, London, to 17 December

Tony Cragg
Quantum physics as art in the latest outlandish imaginings of one of Britain’s best sculptors.
Lisson Gallery, London, to 5 November

Yinka Shonibare
Surreal pastiches of classical sculpture and kaleidoscopic paintings in Shonibare’s latest carnival of history.
Stephen Friedman Gallery, London, to 5 November

Masterpiece of the week

Benvenuto Cellini, The Head of Medusa (about 1545-50)
Benvenuto Cellini, The Head of Medusa (about 1545-50) Photograph: V&A


Half a century before Caravaggio painted the snake-haired monster Medusa’s head on a shield, Benvenuto Cellini cast this horrific thing in bronze. This is a small trial version that Cellini made as he worked on his most ambitious masterpiece, a full-sized statue of Perseus holding Medusa’s head. It is a tiny but wondrous object of dread.
• Renaissance Europe galleries, V&A Museum, London

Image of the week

Turbine hall fish

A girl with two new piscine friends, part of Philippe Parreno’s new Tate Modern installation in the Turbine Hall. Adrian Searle wrote in a five-star review that the installation was ‘one of the very best Turbine Hall commissions, filling the space with sounds and furies, grand and small events, stillness and movement, noises and light and silence.’

What we learned this week

Frieze art fair is a deranged hoot

… and Frieze Masters is poisoned by the 1%

Amanda Levete’s new building opened – it’s a massive snake of a cultural centre in Lisbon

Serge Attukwei Clottey dressed up in his dead mother’s clothes to highlight injustice against women

Christian Marclay’s best photograph is a picture of some children’s firecrackers

Malick Sidibé’s photographs of Mali are timelessly cool

The architects of the Utøya memorial building discussed loss and survival

Richard Serra and Michael Craig Martin discussed their long lives in art

Artemisia Gentileschi fought rape, snobbery and inequality with her paintbrush

The Picasso Portraits exhibition dodges the darkness in the life of Pablo

Cornelia Parker told us what she’s learned so far in her life

Brigid Delaney headed to Gwangju Biennale in South Korea, which focuses on “quiet contemplation”

The Guerilla Girls answered your questions – even the one about Stranger Things

An artist in Berlin has saved Rosa Parks’s house from demolition – by having it sent across the Atlantic

Get involved

Our A-Z of Art series continues – share your art with the theme M for Majesty

And check out the entries for the theme L for London

For Guardian Members – private views of the Hepworth prize for sculpture, Beyond Caravaggio and ARTIST ROOMS: Andy Warhol

Don’t forget

To follow us on Twitter: @GdnArtandDesign

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