Though his music is rarely heard in the UK these days, Goffredo Petrassi was one of the most significant and influential Italian composers of the mid 20th century. Born in 1904, just a few months after Luigi Dallapiccola, Petrassi’s early works were firmly neoclassical, but after 1945 he began to incorporate elements from his younger contemporaries in the European avant garde. He was also a distinguished teacher; among the many who studied with him were Ennio Morricone, Peter Maxwell Davies and Cornelius Cardew.
Petrassi’s eight concertos for orchestra are at the core of his orchestral output, and Naxos has now released recordings of all of them. The pairing of the last two, composed in 1964 and 1972, are typical of his later music, trenchantly argued, with fierce contrasts between strings and wind. It’s music of great resource and dramatic potency, even when the musical ideas themselves are not especially memorable. The performances from the Orchestra Sinfonica di Roma under Francesco La Vecchia feel utterly secure, and as a bonus they add the Sonata da Camera, for harpsichord and 10 instruments, which Petrassi composed in 1948.
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