Photograph: Antonio Olmos for the Observer
Richard Saker: 'She was great fun, her tics were so extreme, fast and frequent that it was a struggle to capture everything. The superhero costume made for a more unusual, quirky and surreal picture'
Photograph: Richard Saker for the Observer
Tom Jenkins: 'This was taken on a remote while I shot from the other side of the track. I know the course well. I knew that the horses were going to pass close to that rail, so I positioned my remote there. Still there's a fair bit of guesswork involved – where to put the focus and point the lens. I would have had a greater chance of getting more in focus with a very wide angle lens, but I don't like to do this as it tends to distort too much and makes the horse look rather weird. As it was very dark and cloudy when the race was run, I didn't have much depth of field to play with. This was also because I needed a very fast shutter speed to freeze the action. This sort of shot is so much easier on a bright sunny day.'
Photograph: Tom Jenkins for the Observer
Photograph: Tom Jenkins for the Observer
Photograph: Richard Saker for the Observer
Deputy fashion editor Helen Seamons tells the story: ''I want local characters and a dog in this shoot,' declares Heather the photographer over breakfast. Mild panic sets in – we are on location with no production. A quick Google of dog grooming + Palm Springs and one phone call to the incredibly accommodating ladies (and their canine clients) at K-9 Country Club and we have regular customer Barbara and her pooch on set and ready for their close-up'
Photograph: Heather Favell for the Observer
Helen Seamons: 'The problem with fashion shoots is they always happen in the opposite seasons to the clothes they feature. The temperature here is 40C, the crew are in shorts and standing in the shade, but just look at that light!'
Photograph: Heather Favell for the Observer
Helen Seamons: 'When you are on location you have to work with what you have to hand and we had an abandoned shopping trolley in our rental house's garage, perfect for our quirky suburban optical print story. And no, we didn't Photoshop the sign in'
Photograph: Heather Favell for the Observer
Photograph: Andy Hall for the Observer
Photograph: Sonja Horsman for the Observer
Photograph: Richard Saker for the Observer
Photograph: Katherine Rose for the Observer
Murdo MacLeod: 'On her tussock Martha was plagued by midgies and could not but instinctively slap at them, much to her father's horror, causing the computer (his laptop) to slither and wobble dangerously towards the water'
Photograph: Murdo MacLeod for the Observer
Annie Collinge: 'I liked Cat instantly. She is an interesting clash between her appearance – all blonde, wild hair, skimpy dress – and her deadpan, brutally honest tone. She told me she knew how she looked in pictures and hated taking direction from photographers (which is always fun to hear), but in the end I found her very easy to photograph. She is extraordinary looking and when she stared into the camera she had a sad, faraway expression'
Photograph: Annie Collinge for the Observer
Richard Saker: 'Rather spookily, I had imagined Tim on a swing prior to the shoot and when I arrived it was there with the bonus of gravestones left over from a Hallowe'en party. He gave me 10 minutes exactly, was very pleasant, open to ideas and crucially agreed to get on the swing though he kept slipping off'
Photograph: Richard Saker for the Observer
Andy Hall: 'I felt he cut more of a sad than sinister figure, weighed down by his 20 years of being, until Breivik, Scandinavia's most notorious serial killer'
Photograph: Andy Hall for the Observer
Photograph: Andy Hall for the Observer
Photograph: Pal Hansen for the Observer
Photograph: Katherine Rose for the Observer
Gary Calton: 'It's difficult not to get drawn into the typical news image. I'm constantly looking for alternative ways of representing an event. Instagram provided me with the opportunity to create something and share it instantly. Here I'm trying to convey the early preparedness and energy of the event'
Photograph: Gary Calton for the Observer
Photograph: Karen Robinson for the Observer
Suki Dhanda: 'Over the last 10 years this was the fourth time I had shot Attenborough, on this occasion he was the most relaxed and accommodating. He's not a man who likes small talk, unless you have an in-depth knowledge of nature, which sadly I don't. His daughter was wondering why we needed to shoot him again as there are already so many images of him … I said that it was important for us to be here and capture something new, which we did
Photograph: Suki Dhanda for the Observer