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The Guardian - UK
The Guardian - UK
Lifestyle
Jonathan Jones

Orgiastic body art, a Midlands meme and Hockney meets the Pharaohs – the week in art

Carolee Schneemann performs in Up to and Including Her Limits, 10 June 1976 in Studiogalerie, Berlin.
Carolee Schneemann performs in Up to and Including Her Limits in June 1976, in Studiogalerie, Berlin. Photograph: © 2021 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York / DACS, London.

Exhibition of the week

Carolee Schneemann
Orgiastic meditations on enfleshment by this outrageous pioneer of performance and body art.
Barbican, London, from 8 September until 8 January

Also showing

Visions of Ancient Egypt
Chris Ofili, David Hockney and more get inspired by the Pharaohs.
Sainsbury Centre, Norwich, from 3 September until 1 January

Detail from Paul Delaroche, Edward V and the Duke of York in the Tower, 1831, showing in The Lost King: Imagining Richard III at theWallace Collection.
Detail from Paul Delaroche, Edward V and the Duke of York in the Tower, 1831, showing in The Lost King: Imagining Richard III at theWallace Collection. Photograph: Trustees of the Wallace Collection, London

The Lost King: Imagining Richard III
Art and armour help to bring 15th-century England to life, including Paul Delaroche’s painting of the doomed nephews of Richard III.
Wallace Collection, London, from 7 September until 8 January

Marcus Coates
For this Artangel project Coates has collaborated with five people who have experienced psychosis.
Churchill Gardens Estate, London, from 4 September until 30 October

Sturtevant
This subversive 1960s artist who remade other artists’ work is now regarded as a pioneer of postmodernism.
Thaddaeus Ropac, London from 8 September until 3 October

Image of the week

Treefrog pool party by Brandon Güell, Costa Rica/USA

Treefrog pool party by Brandon Güell
For this photograh, highly commended in the wildlife photographer of the year contest, Güell waded chest-deep into murky water in the Osa peninsula where a gathering of male gliding treefrogs were calling. At dawn thousands of females arrived at the pool to mate and lay their eggs on overhanging palm fronds. Here, unmated males search for females to mate with.
See more of the best work in this year’s contest here

What we learned

Canadian city pulls huge bronze bison sculpture amid concerns over image of colonialism

The brutal sale of Keith Haring’s Radiant Baby reflects a genius cut short

An Instagram meme of ‘four lads in jeans’ has become a statue in Birmingham

Antiquities shattered in the Beirut port explosion have been painstakingly reconstructed

Lim Heng Swee has been creating digital artworks of cats camouflaged as landscapes

Guardian photographer Linda Nylind has found a subersive side to Southwold on the Suffolk coast

Photographers have chosen their favourite shots of Britain’s departing prime minister

Yinka Ilori’s patterns and architectural designs to get their own show at London Design Museum

The Natural History Museum revealed some of this year’s best wildlife photography

Masterpiece of the week

Melancholy III by Edvard Munch, 1902

Melancholy III by Edvard Munch, 1902
This is one of Munch’s gentler works. It savours gloom like like a fine wine. We don’t know why the young man sits in sad introspection by the shore, contemplating those dark Nordic waters. But there’s a philosophical acceptance to his pose and perhaps a hint of creativity. For this is a portrait of “melancholy”, not madness. The way the youth rests his head on his hand repeats the conventional pose of melancholy in medieval and Renaissance art - most famously Albrecht Dürer’s engraving Melencolia I. Dürer’s image of Melancholia as a winged “genius” surrounded by tools of sculpture and architecture identifies this mood with the visionary darkness of the artist. This is Munch’s own acknowledgment that his art is born of inner suffering.
British Museum, London

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