New Possibilities: Abstract Paintings from the Seventies – in pictures
Jay Rayner with his father Desmond, in Desmond's studio in Harrow, LondonPhotograph: Karen Robinson/the ObserverBasis for Light, Series II, no.7, 1977 by Desmond RaynerPhotograph: Jeanne MasoeroBlue, Red and Yellow Grid, 1977, by Barrie CookPhotograph: Marea Downey
Carnival, 1977-79, by Gary WraggPhotograph: Gary WraggRemain, 1979, by Tess JarayPhotograph: Tess JarayDescender, 1976, by Graham BoydPhotograph: Graham BoydGlow, 1971, Albert IrvinPhotograph: Lukas Gimpel/Gimpel FilsPurple Heart, 1979, by Mali MorrisPhotograph: Mali MorrisBull's Eye, 1979, by Desmond RaynerPhotograph: Desmond RaynerThat Swing 4. K, 1979, by Trevor Sutton Photograph: Paul TuckerThere Is Always More, 1978, Colette Moray de MorandPhotograph: Colette Moray de Morand3D Blue and Gold Segments, 1978, by Alice SiellePhotograph: Alice SielleFunky, Black and Catch Me, 1978, by William HendersonPhotograph: Paul StephensonUntitled, 1973, by Patricia PoullainPhotograph: Patricia PoullainRush Green, 1977, by Frank BowlingPhotograph: Frank Bowling/Hales Gallery
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