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The Guardian - UK
The Guardian - UK
Entertainment
The Guide

Nathan Fake: ‘It’s mad how 20-year-old house music sounds so futuristic today’

Nathan Fake
‘I played it out once and it bombed, hard’ – Nathan Fake. Photograph: Tim Saccenti

The track I always play to rescue a dancefloor
Mu: Let’s Get Sick

This track is insane. Maurice Fulton’s stuff sounds so alien but so wild and funky. This always makes people freak out. This track is quite old and I was into this album when I was at college years ago. I recently randomly came across it again and realised nothing sounds quite like it still.

The track that’s been unfairly slept on this year
Earlham Mystics: Truth

I don’t know if it’s been slept on but it’s a slow burner for sure. It’s a side project of my mate Luke Abbott and it’s beautiful and funky.

The track I’d play to show off my eclectic tastes
Discafric Band: Houiou Djin Nan Zon Aklumon

I think this is from Benin. So raw and visceral and danceable. It’s from a compilation called African Scream Contest of music from Benin and Togo from the 1970s.

The track that got me out of bed this morning
Sensory Elements: Explain It

The most beautifully sexy house track ever. This track reminds me of a very special person. It’s mad how house music from 20-plus years ago sounds completely futuristic in this day and age, I guess at that time people were looking forward a lot more than they are now.

The track I wish I’d never played
Armand Van Helden: Alienz

I love this track so much but I played it out once and it bombed, hard. I was playing a bunch of speed garage stuff, which usually goes down well, but I think this tune was a bit too wacky. I love Armand, though.

The track I’d play at my auntie’s wedding
Ian Dury and the Blockheads: Reasons To Be Cheerful, Part 3

Everyone loves this.

The track I’d play at my funeral
Aphex Twin: SAW2 CD1 TRK3

Literally the most gorgeous piece of music ever made. It’s ridiculously simple – obviously, with it being a very minimalist ambient piece, but the chords are almost banal, yet somehow it comes across as effortlessly magical.

Nathan Fake plays ICA, SW1, 7 April

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