The issue of violence in films is being debated as though the only responsibility lies with the directors. But the film critics bear responsibility as well, and it is intriguing to watch as they now rather belatedly revisit some of the films they praised in the past. I went to see Last Tango in Paris because it was so widely recommended as a modern classic. I was appalled by its sexual exploitation, and I was not at all surprised when Maria Schneider revealed that she had been “tricked into performing its most notorious scene” (Have we killed off provocative films?, G2, 18 May). This is not prurience, it is about recognising whether films are exploring the nature of violence and transgression with thoughtful intent, or whether some films – and the male critics who applauded them – are just glorying in their badass transgression. We need more female critics just as we need more female directors and producers.
Ann Tobin
Bonsall, Derbyshire
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