Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Entertainment
Cath Clarke

Modern Persuasion review – Austen in Manhattan is a load of old bonnets

On the upside ... Alicia Witt brings several shreds of dignity to Modern Persuasion.
On the upside ... Alicia Witt brings several shreds of dignity to Modern Persuasion. Photograph: Signature Entertainment

Do we need a defensive ring of steel petticoats erected around Jane Austen’s novels – something, anything to stop them being updated into perky formulaic romcoms like this? Modern Persuasion is, to state the obvious, a modern version of Austen’s last (and arguably best) novel Persuasion: the story of Anne Elliot, who at 27 – still a mere slip of a girl – is staring down the barrel of spinsterdom. Eight years earlier she made the terrible mistake of turning down an offer of marriage from a penniless naval officer. The film-makers have meticulously transferred the book’s characters and plotting – and, to be fair, some of its warmth – to modern-day New York. But lost in adaptation is any trace of Austen’s wit and razor-sharp satire.

That said, Alicia Witt brings several shreds of dignity to the role of single gal Wren Cosgrove, a highly-flying PR exec living in New York with her cat. The boyfriend she never got over is her college ex Owen (Shane McRae, performing with the charisma of a wardrobe). After graduation, Wren refused to move to San Francisco with him. Now he’s a tech billionaire; though pointedly not a douchebag since his new project is a charity-giving app.

When the pair accidentally meet up again – after he hires her firm to do his PR – Owen acts frostily like they’re strangers. Instead he flirts with Wren’s two young assistants (nicely played as irritating yet endearing by Daniella Pineda and Tedra Millan). Here the script misses a trick; it could have mimicked Austen, skewering the social hypocrisy of men marrying younger women while women of the same age are deemed to be mothballed – plus ça change. But instead the film mostly satirises the assistants’ aggressively millennial social media abbreviations – impenetrable to the oldies.

Still, the biggest crime against Austen, and the film’s fundamental flaw, is turning woman-of-substance Anne Elliot into yet another romcom thirtysomething cat lady sighing dreamily at the Manhattan skyline while waiting for Mr Right.

• Modern Persuasion is on digital platforms from 8 February.

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.