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Radio France Internationale
Radio France Internationale
Susan Owensby

Merry Christmas!

Sound Kitchen podcast RFI

This week on The Sound Kitchen, there’s a special Christmas programme from us to you. Just click on the “Play” button above and enjoy!

Hello everyone! Merry Christmas!

This is Alberto Rios’ poem, which you heard him read on the programme.

Christmas on the Border, 1929

1929, the early days of the Great Depression.

The desert air was biting, but the spirit of the season was alive.

Despite hard times, the town of Nogales, Arizona, determined

They would host a grand Christmas party

For the children in the area—a celebration that would defy

The gloom of the year, the headlines in the paper, and winter itself.

In the heart of town, a towering Christmas tree stood,

A pine in the desert.

Its branches, they promised, would be adorned

With over 3,000 gifts. 3,000.

The thought at first was to illuminate the tree like at home,

With candles, but it was already a little dry.

Needles were beginning to contemplate jumping.

A finger along a branch made them all fall off.

People brought candles anyway. The church sent over

Some used ones, too. The grocery store sent

Some paper bags, which settled things.

Everyone knew what to do.

They filled the bags with sand from the fire station,

Put the candles in them, making a big pool of lighted luminarias.

From a distance the tree was floating in a lake of light—

Fire so normally a terror in the desert, but here so close to miracle.

For the tree itself, people brought garlands from home, garlands

Made of everything, walnuts and small gourds and flowers,

Chilies, too—the chilies themselves looking

A little like flames.

The townspeople strung them all over the beast—

It kept getting bigger, after all, with each new addition,

This curious donkey whose burden was joy.

At the end, the final touch was tinsel, tinsel everywhere, more tinsel.

Children from nearby communities were invited, and so were those

From across the border, in Nogales, Sonora, a stone’s throw away.

But there was a problem. The border.

As the festive day approached, it became painfully clear—

The children in Nogales, Sonora, would not be able to cross over.

They were, quite literally, on the wrong side of Christmas.

Determined to find a solution, the people of Nogales, Arizona,

Collaborated with Mexican authorities on the other side.

In a gesture as generous as it was bold, as happy as it was cold:

On Christmas Eve, 1929,

For a few transcendent hours,

The border moved.

Officials shifted it north, past city hall, in this way bringing

The Christmas tree within reach of children from both towns.

On Christmas Day, thousands of children—

American and Mexican, Indigenous and orphaned—

Gathered around the tree, hands outstretched,

Eyes wide, with shouting and singing both.

Gifts were passed out, candy canes were licked,

And for one day, there was no border.

When the last present had been handed out,

When the last child returned home,

The border resumed its usual place,

Separating the two towns once again.

For those few hours, however, the line in the sand disappeared.

The only thing that mattered was Christmas.

Newspapers reported no incidents that day, nothing beyond

The running of children, their pockets stuffed with candy and toys,

Milling people on both sides,

The music of so many peppermint candies being unwrapped.

On that chilly December day, the people of Nogales

Gathered and did what seemed impossible:

However quietly regarding the outside world,

They simply redrew the border.

In doing so, they brought a little more warmth to the desert winter.

On the border, on this day, they had a problem and they solved it.

Here’s the music you heard on this week’s programme: The traditional “We Wish You a Merry Christmas” sung by the Gracias Choir conducted by Eunsook Park, and “Santa Claus Llego A La Ciudad” by J.Fred Coots and Haven Gillespie, sung by Luis Miguel.

Be sure and tune in next week, 27 December, for a “My Ordinary Hero” essay by your fellow listener Rasheed Naz.

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