Models on the catwalk at the My Beautiful Fashion show at Goldsmiths' Hall Photograph: Lewis Whyld/PA
Ribeiro mixed up graphic monochrome, pings of pink and orange and a print that was based on an eastern European top (next picture), probably from the Balkans, which the designers photographed and then developed into this collection's print
Simon Chilvers Photograph: Lewis Whyld/PA
Photograph: Antonio de Moraes Barros Filho/WireImage
A model poses backstage Photograph: Tim Whitby/Getty Images
Rocha explained her look as 'Irish kids with a tribe in Papua New Guinea'. She wanted to mix textures - tweed with tulle, say, or using the silver leather of shoes to make clothes
Simon Chilvers Photograph: Ray Tang/Rex Features
The palette was predominantly milk white and cream with black and silver. Standout pieces included dresses with fringed wool peplums, dresses of clear plastic with lace and roomy, masculine tailored coats
Simon Chilvers Photograph: Ray Tang/Rex Features
For her first scheduled show at LFW, Rocha revealed textured fabrics and new techniques, which created unexpected surfaces on garments
Jo Jones Photograph: Ray Tang/Rex Features
Fabrics in lace lined Melton and Linton tweed encased in tulle- overall the collection looked modern and feminine
Jo Jones Photograph: Ray Tang/Rex Features
Models are photographed backstage before the show Photograph: Joel Ryan/AP
Joanna Sykes' third collection for Aquascutum explored iconic British interiors and architectural form
Jo Jones Photograph: Ian Gavan/Getty Images
Textures, detailed cornicing, chiselled angles and a play on light and shadow all featured
Jo Jones Photograph: Ian Gavan/Getty Images
The overall silhouette was sleek, tailoring was sharp and angular, shirts were crisp and the coats were the icing on the cake
Jo Jones Photograph: Ian Gavan/Getty Images
Designer Joanna Sykes appears on the runway after the show Photograph: Ian Gavan/Getty Images
Henry Holland's show notes said the look was 'The House of Holland girl rides the Tour de France'
Simon Chilvers Photograph: Kirsty Wigglesworth/AP
This meant HOH caps, clingy stripes, a boucle jumbo houndstooth section, goat hair shaggy stuff, colourful zig zags on knits and va-va voom red leather
Simon Chilvers Photograph: Kirsty Wigglesworth/AP
Sadly there were no actual bicycles on the runway, but the soundtrack included refrains of Queen's I Want to Ride My Bicycle and lady of the hour Azealia Banks' smash hit 212
Simon Chilvers Photograph: Lewis Whyld/PA
A model in a sporty, furry dress Photograph: Lewis Whyld/PA
Markus Lupfer is the man who made the novelty jumper chic. His sequinned gap-tooth smile is a fixture of every weekend wardrobe worth coveting, and he has achieved what many London designers don't: a strong business. (Last season's sales were his strongest yet)
Jess Cartner-Morley Photograph: Jess Cartner-Morley/Guardian
For autumn 2012 his sweaters come emblazoned with pop art slogans or eternal mottos: 'Love Conquers All', 'Carpe Diem' and (an important lesson for fashion week, this) 'Don't forget to smile.' Also strong are brocade party dresses, leather-effect bomber jackets, and silk blouses. "I have learnt what my customer wants from me," said Lupfer as he showed off the new collection
Jess Cartner-Morley Photograph: Jess Cartner-Morley/Guardian
