Locations, locations - RIBA celebrates architecture in film

The neo-fascistic War Room in Stanley Kubrick's Dr Strangelove, or How I Learned To Stop Worrying And Love The Bomb (1964) Photograph: Ronald Grant Archive

Expressionist flights of stairs, vertiginous camera angles and gloriously improbable Hollywood Gothic dominate Orson Welles's Citizen Kane (1941) Photograph: RIBA

Victorian back-to-backs and Edwardian tenements in Of Time and the City (2008), Terence Davies's idiosyncratic study of Liverpool Photograph: RIBA

A still from Tarkovsky's Nostalgia (1983), shot in Tuscany Photograph: Ronald Grant Archive

A still from Sydney Pollack's Sketches of Frank Gehry (2005) – a homage to that most filmic of modern architects Photograph: RIBA

Raymond Massey and Gary Cooper in the film Fountainhead (1949), with its macho modernist office blocks Photograph: RIBA

Gary Cooper muses on Corbusian principles Photograph: RIBA

A still from Fritz Lang's Metropolis (1927), which melds a variety of architectural styles into an unholy vision of the future Photograph: BFI

A still from Ridley Scott's Blade Runner (1982), an heir to Metropolis in its nightmarish depiction of 21st-century Los Angeles Photograph: Ronald Grant Archive

A design for a futuristic street scene from Blade Runner – something that can't have been far from the pen of many a mid-century architect Photograph: Allstar/Cinetext/WARNER BROS