Oslo producer Hans-Peter Lindstrøm, already known for being pretty cosmic, went further out than ever before with his last album, a collaboration with Todd Rundgren that turned them both to spaghetti in a psychedelic black hole. He’s now back out the other side, making his traditional “space disco”, but with some beautiful acid-flashback flourishes. Spire and Tensions evoke cocktail hour at an Ibizan villa, before But Isn’t It and Shinin nicely showcase house and Italo songcraft. All pleasant enough, but Lindstrøm then levels up in the final third, with Drift, a hail of petals that recalls Orbital’s Belfast, and the jazz piano that poignantly destabilises closing tracks Bungl (Like a Ghost) and Under Trees. The former is also invigorated by stark poetry and black-feathery cooing from Jenny Hval, a gothic phantom haunting the club with a gravestone on her back.
