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The Guardian - UK
The Guardian - UK
Lifestyle

Less is more: Venice Architecture Biennale 2010

Venice Biennale: R&Sie(n), France
Isobiot®ope (the buildingwhichneverdies) 2010 – R&Sie(n), France
The French pavilion's glowing installation explores the damage caused to the ozone layer
Photograph: David Levene for the Guardian
Venice Biennale: Olafur Eliasson, Denmark
Your Split Second House, 2010 – Olafur Eliasson, Denmark
Eliasson has created a cavernous, dark space in which whip-cracks and writhing snakes of water flash in front of your eyes, hinting at thrilling structures that could never really be, and are gone before your eyes can adjust to their uncertain forms
Photograph: David Levene for the Guardian
Venice Biennale: Cloudscapes,  Transsolar & Tetsuo Kondo Architects, Germany
Cloudscapes – Tetsuo Kondo Architects and Transsolar Klima Engineering, Germany
Visitors enjoy an otherworldly experience as they walk up delicate steel ramps into artificially generated clouds
Photograph: David Levene for the Guardian
Venice Biennale: Hungary pavilion
The Hungarian pavilion
A maze of pencils hang from ceilings by cotton threads. The installation is backed up by touching videos showing architects' hands – young and old – drawing
Photograph: David Levene for the Guardian
Venice Biennale: Bahrain, an installation of fishermen's huts
Reclaim – Noura Al-Sayeh and Fuad Al-Ansari, Bahrain
An installation of fishermen's huts uprooted from the coast of Bahrain, which won the Golden Lion award for best national pavilion
Photograph: David Levene for the Guardian
Venice Biennale: Installation from Anton García-Abril and Ensamble Studio
Installation from Anton García-Abril and Ensamble Studio, Spain
A team of Spanish architects, engineers and musicians have installed two enormous concrete I-beams across an entire room of the Corderie – these appear to be held in check by a rock and a coil spring, suggesting that the line we walk between self-destruction and a positive future is both delicate and dramatic
Photograph: David Levene for the Guardian
Venice Biennale: Mark Blaschitz (SPLITTERWERK), Austria, Tiger of Venice
The Tiger of Venice – Mark Blaschitz (SPLITTERWERK), Austria
The Austrians want us to retain something of the innocence of childhood with models of a city centre – this one straddled by a centrepiece building in the guise of a tiger
Photograph: David Levene for the Guardian
Venice Biennale: Austria Pavilion
The Austrian pavilion
The Austrians have created another model of a city centre, this one made of flowers
Photograph: David Levene for the Guardian
Venice Biennale: Daily drawing classes for schools in The Stadium of Close Looking
The Stadium of Close Looking, British pavilion
The British presentation, curated by Vicky Richardson of the British Council and London architects muf, is represented by, among other things, excerpts from Ruskin's The Stones of Venice and a wooden model of the Olympic stadium currently being built in London. Daily drawing classes for schoolchildren are also taking place here
Photograph: David Levene for the Guardian
Venice Biennale: Work-Place, 2010
Work Place, 2010 – Studio Mumbai Architects, India
The Indian pavilion earned a special mention from the international jury at the Venice Architecture Biennale
Photograph: David Levene for the Guardian
Venice Biennale: France pavilion
The French pavilion
France's installation at the Venice Architecture Biennale
Photograph: David Levene for the Guardian
Venice Biennale: Japan Pavilion
Tokyo Metabolizing – Ryue Nishizawa and Yoshiharu Tsukamoto, Japan
The Japanese pavilion at the Venice Architecture Biennale
Photograph: David Levene for the Guardian
Venice Biennale: Hungary pavilion
The Hungarian pavilion
A maze of bright yellow school pencils hang from ceilings by cotton threads at Hungary's pavilion
Photograph: David Levene for the Guardian
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