Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Lifestyle
Lee Friedlander

Lee Friedlander: America By Car - in pictures

Lee Friedlander: Lee Friedlander
Montana, 2008
In this series Friedlander uses the windscreen or side window as frame within a frame, playing with the composition this simple technique allows
Photograph: Lee Friedlander, courtesy Frankel Gallery, San Francisco
Lee Friedlander: Lee Friedlander
Death Valley, California, 2008
The frame of the car window provides a constant in the photographs of vastly different American landscapes. Here, we can also see a reflection of someone in the car, looking out
Photograph: Lee Friedlander, courtesy Frankel Gallery, San Francisco
Lee Friedlander: Lee Friedlander
Nebraska, 1999
The car's manufactured interior provides an unusual photographic frame for this natural landscape scene – yet it is a viewpoint that will be familiar to almost anyone who has travelled by car
Photograph: Lee Friedlander, courtesy Frankel Gallery, San Francisco
Lee Friedlander: Lee Friedlander
Las Vegas, Nevada, 2007
While some of Friedlander's photographs depict timeless American landscapes others speak volumes about modern America
Photograph: Lee Friedlander, courtesy Frankel Gallery, San Francisco
Lee Friedlander: Lee Friedlander
Arizona, 2001
Friedlander plays with the contrast between the manmade textures and patterns inside the car and those found naturally in the wilderness
Photograph: Lee Friedlander, courtesy Frankel Gallery, San Francisco
Lee Friedlander: Lee Friedlander
Mississippi, 2008
Reflections from the car's mirrors add to the complex composition of some of the photographs
Photograph: Lee Friedlander, courtesy Frankel Gallery, San Francisco
Lee Friedlander: Lee Friedlander
New York City, 2002
Sometimes the lines, angles and reflections can be perplexing, in this case reflecting the chaos of the city
Photograph: Lee Friedlander, courtesy Frankel Gallery, San Francisco
Lee Friedlander: Lee Friedlander
Texas, 1997
Friedlander used a Hasselblad Super Wide camera for this project, which allowed him to capture a wider vista. It is often bisected by the vertical frame of the windscreen
Photograph: Lee Friedlander, courtesy Frankel Gallery, San Francisco
Lee Friedlander: Lee Friedlander
Massachusetts, 2007
The square format allows the interior of the car to be included in the shot, and the viewer gradually begins to see America from Friedlander's perspective
Photograph: Lee Friedlander, courtesy Frankel Gallery, San Francisco
Lee Friedlander: Lee Friedlander
Lee, New City, New York, 2007
A self-portrait of Lee Friedlander, this time standing outside a car looking in, is the final shot in the series
Photograph: Lee Friedlander, courtesy Frankel Gallery, San Francisco
Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.