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The Guardian - UK
The Guardian - UK
Entertainment
Lyn Gardner

La Veillée des Abysses

Shipwrecked on its own ethereal beauty, somehow joyous and yet bereft at the same time, the latest show from French circus creator James Thierrée is a marvel, unlike any piece of circus that you have ever seen. Acrobatics and dance, opera and contortion, flying and capoira all go hand in hand as a loose narrative unfolds that sails you into the far reaches of the imagination.

Beginning with a storm that makes the blasted heath in King Lear seem like a breeze, the show transports you to an enclosed world - a derelict place rather as you imagine Miss Havisham's house in Great Expectations - where a group of people appear to have been marooned. What follows is somewhat like a game that adults play with child-like seriousness, in which there are insiders and outsiders, a group and individuals, the balancing acts of maturity, the sheer delirium of letting go and swinging high.

The radio crackles as if offering memories and messages from another distant, half-remembered world.

A set of ornate gates become a barrier through which only some can slip and others must play out a password with their bodies; a three-seated sofa, which four are struggling to occupy, becomes an absurdist picture gallery with disembodied legs and a detached head reading a book. There is even a pantomime-style horse and a brilliant demonstration of the domino effect.

What's so fantastic about the show - which certainly isn't intended for the youngest members of the family - is that it is so playful and yet also a wild emotional tempest. Its clowning is not buffoonery, but light and witty - and therefore all the more painful. There is something about the show that reminds you of a modern art gallery where the pictures and installations have come to life and walked off the walls. It will blow you away.

· Ends Tuesday. Box office: 08703 800 400.

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