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The Guardian - UK
The Guardian - UK
Entertainment
Wendy Ide

Killing Ground review – horror in the bush

harriet dyer carrying a baby in the outback in killing ground
Harriet Dyer and baby in Killing Grounds: the means justify the ending. Photograph: John Platt

Structured with a cruel precision, written and acted with a persuasive naturalism, this disturbing Australian survival thriller won’t appeal to everyone. The use (and abuse) of a very young child in peril as a plot device is something I approach with caution, but in this case, without giving away too much of the final act, I feel it is largely justified by the story. It’s not an easy watch, however. Pieced together like a crime picture, but marked with the bloody thumbprint of the horror genre, the film tells of newly engaged couple Sam (Harriet Dyer) and Ian (Ian Meadows), who discover an abandoned tent and evidence of a multiple murder. Although not as overtly grisly as the outback horror Wolf Creek by Greg Mclean, the two films share a confidently uncompromising approach to pacing and a deft hand when it comes to cranking up narrative tension.

Watch a trailer for The Killing Ground.
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