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The Guardian - UK
The Guardian - UK
Lifestyle
Skye Sherwin

Jean-Michel Basquiat’s Hollywood Africans: a complex history lesson

Jean-Michel Basquiat, Hollywood Africans
Raw energy ... Hollywood Africans by Jean-Michel Basquiat. Photograph: Jean-Michel Basquiat/Barbican

Look and listen

Jean-Michel Basquiat’s painting is both an indictment and a statement of intent. Against shouty yellow, words scratched in his blocky, spiky writing denote racial stereotypes. “Paw paw”, painted across an image of the artist’s hand, is a particularly sharp verbal/visual pun. It seems to point up the obscene view of black people as animals.

Booby prize

Standing accused is the film industry and the limited roles available to black talent. The date, 1940, may refer to the year Hattie McDaniel won an Oscar for playing Gone With The Wind’s racial caricature, Mammy.

Express yourself

The mix of street art and ab-ex stylistic tics lend the painting a raw energy. But this gives way to a trans-historical web of references, spanning the history of slavery to downtown New York’s creative quarters.

Basquiat: Boom for Real, Barbican Art Gallery, EC2, to 28 January

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