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The Guardian - UK
The Guardian - UK
Entertainment
Wendy Ide

It’s Only the End of the World review – spittle-flecked drama

Gaspard Ulliel in It’s Only The End Of The World.
Gaspard Ulliel in It’s Only The End Of The World.

The latest picture from the prolific Canadian wunderkind Xavier Dolan is certainly not the easiest watch. An adaptation of a play by Jean-Luc Lagarce that tells of the return of a sensitive, successful gay son to his tempestuous family home, this is stridently confrontational in its approach. Dolan favours so many extreme, spittle-flecked closeups of shouting family members that it leaves you gasping for breath and longing for a wide shot.

Gaspard Ulliel plays prodigal son Louis, Nathalie Baye is screechy and lurid as his mother and Marion Cotillard delivers sensitive work as the browbeaten sister-in-law he has never met. But it’s Vincent Cassel’s character who is the most problematic – older brother Antoine is furious but it’s a hollow, noisy anger that doesn’t seem to authentically voice anything other than the screenwriter’s need to fill pages with dialogue.

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