Winners of last year's Total Theatre award for the quirkily entertaining Scapegoat, Wishbone return with their unique brand of visual theatre that gives an entirely new perspective to telling a story. All storytelling is, of course, subjective, and Wishbone make a particular virtue of this in a cold war tale, set in Berlin in 1972, that has Frances searching in vain for her missing brother. Why will nobody answer her phone calls, and what has the evasive photographer Bruno got to hide?
Interference has bags of atmosphere, and if you haven't caught the company before, you will find its techniques intriguing as they split the stage into a triptych and present scenes from different points of view. There is one tense and clever scene between Frances and Bruno, when both are on stage talking to each other - but we view it as if we are watching each side of the exchange in close-up. Filmic is a word that immediately springs to mind with this company. The show is very much at its best in moments like these, with form and substance in perfect harmony, but too often it seems as if the story is in the service of the theatrical trickery, rather than the other way round.
Nor does it help that the storytelling is not always entirely coherent - spiralling off towards the end into a play within a play. And the piece's emotional demands seem beyond the performers. But it is an entertaining hour that dares to be different, and has the odd moment of real magic.
· Until August 25. Box office: 0131-556 6550.
