Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Science

Inspired by Darwin: Endless Forms at the Fitzwilliam Museum

Endless Forms: Charles Darwin, natural science and the visual arts Odilon Redon
The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, by Odilon Redon, from Les Origines, 1883 Photograph: Museum of Fine Arts, Boston/The Fitzwilliam Museum
Endless Forms: Charles Darwin, natural science and the visual arts Robert Farren
Duria Antiquior (An Earlier Dorset) by Robert Farren, circa 1850 Photograph: The Sedgwick Museum of Earth Sciences/The Fitzwilliam Museum
Endless Forms: Charles Darwin, Natural Science, and the Visual Arts, Edwin Landseer
Morning by Edwin Landseer, circa 1853 Photograph: Philadelphia Museum of Art, The Henry P. McIlhenny /The Fitzwilliam Museum
Endless Forms: Charles Darwin, natural science and the visual arts Paul Cezanne
The Abduction by Paul Cezanne, 1867 Photograph: Action images
Endless Forms: Charles Darwin, natural science and the visual arts
The Pigmy Earthmen at the Royal Aquarium, 1884, wood engraving, Photograph: The Bodleian Library/The Fitzwilliam Museum
Endless Forms: Charles Darwin, natural science and the visual arts Claude Monet
Rocks at Port-Coton, the Lion Rock, Belle-Ile by Claude Monet, 1886 Photograph: The Fitzwilliam Museum
Endless Forms: Charles Darwin, natural science and the visual arts Edgar Degas
Little Dancer Aged Fourteen by Edgar Degas, bronze cast with fabric skirt, circa 1922, from an original circa 1878–81 in wax and mixed media Photograph: James Austin/Sainsbury Centre for Visual /Yale Center for British Art
Endless Forms: Charles Darwin, natural science and the visual arts Edwin Landseer
Alexander and Diogenes by Edwin Landseer, exhibited 1848 Photograph: Tate Gallery/The Fitzwilliam Museum
Endless Forms: Charles Darwin, natural science and the visual arts Ernest Griset
Mammoth Hunters by Ernest Griset, circa 1869–71 Photograph: The Bromley Museum /The Fitzwilliam Museum
Endless Forms: Charles Darwin, natural science and the visual arts James Tissot
Men of the Day No. 33 by James Tissot, from Vanity Fair, 30 September 1871 Photograph: Richard Caspole/The Fitzwilliam Museum
The Artists' Wives by James Tissot, 1885
The Artists' Wives by James Tissot, 1885 Photograph: The Fitzwilliam Museum
Endless Forms: Charles Darwin, natural science and the visual arts John Stevens Henslow
A teaching sheet showing Arum maculatum (‘Lords and Ladies’) by John Stevens Henslow, 1836. The botanist and geologist Henslow was an early influence for Charles Darwin. Henslow introduced him to Captain Fitzroy of HMS Beagle Photograph: Department of Plant Sciences, University of Cambridge /The Fitzwilliam Museum
Endless Forms: Charles Darwin, natural science and the visual arts Luke Fildes
Houseless and Hungry by Luke Fildes, 1869, wood engraving Photograph: Richard Caspole/Yale University Library /The Fitzwilliam Museum
Endless Forms: Charles Darwin, natural science and the visual arts Martin Johnson Heade
Cattleya Orchid and Three Hummingbirds by Martin Johnson Heade, 1871 Photograph: National Gallery of Art, Washington DC/The Fitzwilliam Museum
Endless Forms: Charles Darwin, natural science and the visual arts William Dyce
Pegwell Bay, Kent – A Recollection of October 5th, 1858, by William Dyce Photograph: Tate gallery/The Fitzwilliam Museum
Endless Forms: Reginald Southey with Skeletons and Skulls
Reginald Southey with Skeletons and Skulls, 1857-1859. A photographic portrait by Lewis Carroll Photograph: The Fitzwilliam Museum
Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.