Ever since I was a boy, I’ve been fascinated by the winged creatures of summer. The release of the Nikon Z8 afforded me a real chance of capturing our native butterflies in flight. In this tutorial, I’d like to share with you the settings I’ve carefully honed following the release of the D850’s spiritual successor.
I’m sure these will be refined further as software upgrades arrive and my technique improves, but my hope is to inspire you to get out there and have a go yourself.
It’s important to note that for every successful sequence, many hundreds of images end up in the delete pile. The Z8’s high frame rate has also given me the opportunity to photograph the intriguing world of butterfly courtship dances – and you’ll find several of the techniques listed here, entirely transferable to other forms of insect macro photography.
Capture a butterfly flight sequence
1. Know your subject
Take the time to observe the butterfly: how does it take off? When? And in what direction? This knowledge will help you frame and capture your shot. I use back-button focus to activate Pre-Release Capture (see step 3). This frees up the shutter button to fire without any danger of refocusing or hunting delaying the shot.
2. Try to keep up
Butterflies are often too erratic for AF to track them in flight – even for the Z8’s 3D tracking. In the ‘Focus Tracking with Lock-on’ custom setting, set ‘Blocked Shot AF Response’ to Quick (1) and ‘Subject Motion’ to Erratic, to help maintain focus as it takes off. If it flies across the frame, it should remain on roughly the same focal plane.
3. Quick reactions
With Pre-Release Capture enabled, the Z8 buffers images while focus is engaged by half depressing the shutter button or holding down the AF-ON button (back-button focus). This compensates for any delay in your reactions as the butterfly lifts off. I find one-sec pre-release burst and one-sec post-release burst is enough.
4. Fire a burst
Each species of butterfly has its own flight characteristics and speed. I normally use 30fps but find that fast flyers, such as skippers and hairstreaks, require 60fps. While the Z8 shoots JPEG rather than RAW at these frame rates, capturing just the right moment trumps image quality – which I find to be perfectly acceptable, regardless!
5. Blend your sequence
Any global edits are performed in Adobe Lightroom. I then import the sequence into the same Photoshop document. The layers are aligned before a layer mask is applied to each image, apart from the base layer. I use a soft, black brush to paint through to the butterflies on the layers below.
Expert tip
Butterflies are very sensitive to changes in light. When approaching your subject, try to keep your silhouette below the horizon – never position your body between the butterfly and the sun. Move in slowly, with no sudden movements, for the best chance of framing the shot.
This article was originally published in N-Photo: The Nikon Magazine (issue 155)
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Don't want to invest in an interchangeable-lens system but love wildlife? Check out the Nikon P1100 review. Thinking of picking up a Nikon Z8? It's two years old, but I reckon it could remain in my kit bag for a decade AT LEAST. And when it comes to the 'Big N', hang on a minute – is Nikon suddenly cool again?
