Guardian Camera Club: Manchester College

Deceptively simple picture which works really well and, interestingly, a very ugly building has ended up being rather beautiful Photograph: Adrian Solon

Venice - Kings Cross! The view from our canteen. The rich autumn light is used very well Photograph: Adrian Solon

This would have worked better with the trees cropped in a similar way to the reflections and the water toned to a pure white but, even so, it is a beautifully serene scene Photograph: unknown/Clare Monteverde

A nice Turneresque image which would have, again, benefitted from a tighter crop Photograph: Clare Monteverde

Perhaps a better picture would have been taken from the rock in the centre of the image. This would have introduced more drama from a closer take on the waterfall Photograph: Craig Marchington

A tight crop on backlit water has produced a lovely colourful abstract Photograph: Emma Crossland

Now this is very abstract but we kind of like it because of the muted colours and its certain Rothko feel Photograph: Faith Holgate

Pleasant enough picture of industrial forms but the photographer should have concentrated on the shapes of the cranes and ignored the rest of the surrounding buildings Photograph: Howard Harrison

A well observed close up which would form part of a essay on canals Photograph: Jack Farrow

Some wildlife! Captured really well with a panned camera Photograph: Jo Yates

Good use of the neon and the handrail drawing the viewer towards the light at the end of the tunnel Photograph: Jo Yates

The photograph uses the oily stillness of the canal to create a perfect reflection reminiscent of Richard Wilson's artwork Photograph: Michael Pillitteri

A minimalist approach but for some reason the gold and the white lines of the reflected buildings break up the surface of the water really well Photograph: Richard Manning

Mmm upside down? We like it though, but probably not in a news page Photograph: Steph Conway

Probably too much of an abstract for us news folk Photograph: Steph Conway

Strange colouration although it seems to suit the sculpture. Shame about the hard lines between the figures Photograph: Tom Hancock

Again, using the still water a really nice mirror image has been created Photograph: Will Charlton

A perfectly placed figure in the square format Photograph: Will Charlton