Gallery: Movement

Using shutter speed priority on the Canon PowerShot SX210 IS and taken from a moving vehicle, this landscape was transformed into something unworldly. Photograph: Brian Sweeney/guardian.co.uk

Using the same setting on the Canon PowerShot SX210 IS, Brian transformed what would otherwise be just another picture of a tree into something much more interesting. Photograph: Brian Sweeney/guardian.co.uk

Jump around... The sky is slightly distorted by the fisheye setting on the Canon PowerShot SX210 IS. Photograph: Brian Sweeney/guardian.co.uk

This image was taken with a long exposure on the Canon PowerShot SX210 IS. Always use a tripod or rest your camera on a solid surface what attempting something like this. Shaky hands will ruin the shot. Photograph: Brian Sweeney/guardian.co.uk

Brian is a big fan of the Butlins signage. The famous logo shines out of the shot thanks to a long exposure and the deployment of the miniature setting on the Canon PowerShot SX210 IS. Photograph: Brian Sweeney/guardian.co.uk

Spiritualised front man Jason Pearce applauds the crowd at All Tomorrow's Parties. Brian captured this on his Canon EOS 5D. Photograph: Brian Sweeney/guardian.co.uk

Singer-songwriter Joanna Newsom captured mid-song. Movement doesn't have to be dramatic - sometimes small details are more revealing. Taken on Brian's Canon EOS 5D. Photograph: Brian Sweeney/guardian.co.uk

The xx on stage at All Tomorrow's Parties, captured in all their glory by Brian on his Canon EOS 5D. Photograph: Brian Sweeney/guardian.co.uk

Another shot of The xx taken from the pit by Brian on his Canon EOS 5D. Photograph: Brian Sweeney/guardian.co.uk

Brian played around with the fisheye setting on the Canon PowerShot SX210 IS to create this little bit of poetry in motion. Photograph: Brian Sweeney/guardian.co.uk

A high shutter speed enabled Brian to 'freeze' this energetic chap in time. Taken on Brighton beach with the Canon PowerShot SX210 IS. Photograph: Brian Sweeney/guardian.co.uk

A woman jumping, photographed from below with the fisheye setting on the Canon PowerShot SX210 IS, which adds some widescreen weirdness. Photograph: Brian Sweeney/guardian.co.uk