Latifa Echakhch's Tumbleweeds roll incongruously across the Sculpture Park at the north entrance of the Frieze tent. Echahkhch's mirage-like work is a rethinking of classic American midwest imagery, and is one of Frieze's commissioned projectsPhotograph: Linda Nylind/FriezeAs another of the Frieze New York projects, John Ahearn is recreating his classic 1979 project South Bronx Hall of Fame in which he created live plaster casts of locals. At Frieze's casting station, Ahearn and Rigoberto Torres (also pictured) will be doing live portraits all weekend Photograph: Linda Nylind/FriezeAi Weiwei's Moon Chest (2008) and in the background, John Ahearn's casts adorn the wallPhotograph: Linda Nylind/Frieze
An onlooker admires Anish Kapoor's glossy fibreglass orb, Untitled (2010) Photograph: Andrew H Walker/Getty ImagesLiz Cohen's 2007 Trabantimono project saw the artist transforming an East German Trabant car into a Chevrolet de Camino – which the Guardian's Ed Pilkington describes as a 'vintage car stretched like an unfolding tin can'Photograph: Linda Nylind/FriezeJim Lambie's bright-striped works sink into the walls (Vortex 1 Silhouette - 2012), while his giant papier mache nose Vortex 'Eau de Parfum' (2012) takes a big whiff of a passer-byPhotograph: Linda Nylind/FriezeBanks Violette's Untitled (88) threatens to topple on to gallery goers as they consider Vlassis Caniaris's 1974 study in rust, Aufenthalt/Stop Photograph: Linda Nylind/FriezeVlassis Caniaris's Aufenthalt/Stop, in which a man made of mesh overlooks a study in rust ranging from a bicycle to tin cansPhotograph: Linda Nylind/FriezeSuggestive South African artist Nicholas Hlobo's Ndize: Tail at the Stevenson gallery. Critic Jason Farago calls the work 'a riotous agglomeration of rubber, string and rainbow streamers'Photograph: Linda Nylind/FriezeGavin Brown's gallery showing dangly chrome sausage-work, Rirkrit Tiravanija's Untitled 2012 (Karmer and Newman make sausage) Photograph: Linda Nylind/Frieze
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