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Reuters
Reuters
Entertainment
Sarah Marsh

Festive New Orleans conga in Havana defies Trump Cuba policy

New Orleans musicians parade in downtown Havana, Cuba, January 15, 2020. REUTERS/Alexandre Meneghini

New Orleans and Cuban brass musicians paraded joyously through Havana on Wednesday as part of the city's annual jazz festival and in defiance of the Trump administration's efforts to weaken U.S.-Cuba relations.

On a warm, blue-skied Caribbean day, passers-by joined in the conga or danced on the balconies above as the trumpeters, trombone and saxophone players marched through Havana's eclectic mix of colonial, art deco and art nouveau buildings.

Cherice Harrison-Nelson of the U.S. sits in the back of a bicitaxi as Cuban and New Orleans musicians parade in downtown Havana, Cuba, January 15, 2020. REUTERS/Alexandre Meneghini

"The world is so separated right now ... so moments like this are especially important," said U.S. citizen Nicola Fuqua who came to Havana for the festival. "New Orleans and Cuba are so similar."

Music has long formed a cultural bridge between Cuba and the United States regardless of the state of political relations, with Afro-Cuban rhythms like the habanera feeding into Afro-American music as early as the 19th century.

"We are hoping that with us coming over, this can open up the door to more collaborations and things the U.S. and Cuba can come together on," Marcus Hubbard, trumpet player for brass band The Soul Rebels told Reuters during a rehearsal session ahead of the conga.

Neighbors chat as they watch Cuban and New Orleans musicians (not pictured) after a parade in downtown Havana, Cuba, January 15, 2020. REUTERS/Alexandre Meneghini

Cruises used to regularly connect New Orleans and Havana before Fidel Castro's 1959 leftist revolution that prompted the United States to cut off diplomatic relations and impose a trade and travel embargo on Cuba that exists to this day.

The visiting New Orleans musicians said they were frustrated it was so hard to come to Communist-run Cuba due to President Donald Trump's tightening of restrictions on U.S. travel to the Caribbean's largest island.

That tightening has hurt Cuba's tourism industry - one of the ailing economy's top earners of hard currency - that had benefited from a brief U.S.-Cuban detente between 2014 and 2016 under Trump's predecessor, Barack Obama.

Dancers perform as Cuban and New Orleans musicians parade in downtown Havana, Cuba, January 15, 2020. REUTERS/Alexandre Meneghini

"Americans love Cuba, they will always want to come, so different restrictions frustrate us just as much as it frustrates you guys," said Hubbard.

While Havana's jazz festival has long featured U.S. musicians and attracted U.S. visitors under exceptions to the travel embargo for educational visits, their presence for the 35th edition was striking.

Around 80 U.S. musicians from 22 bands, including The Soul Rebels, Tank and The Bangas and Big Chief Monk Boudreaux, are performing in the event that runs through Jan 19.

People watch Cuban and New Orleans musicians (not pictured) parading in downtown Havana, Cuba, January 15, 2020. REUTERS/Alexandre Meneghini

The U.S.-Cuba musical connection has run in the other direction. Cuban artist "Cimafunk," or Erik Iglesias Rodríguez, who is taking part in the festival, spent the last year touring the United States with his new brand of Afro-Cuban funk.

(Reporting by Sarah Marsh; Additional reporting by Nelson Acosta and Reuters TV; Editing by Bill Berkrot)

New Orleans musicians parade beside ballet students in downtown Havana, Cuba, January 15, 2020. REUTERS/Alexandre Meneghini
Ballet students perform as Cuban and New Orleans musicians parade in downtown Havana, Cuba, January 15, 2020. REUTERS/Alexandre Meneghini
Cuban singer Erik Iglesias Rodriguez, known as Cimafunk, interacts with people on the street during a parade of New Orleans and Cuban musicians in downtown Havana, Cuba, January 15, 2020. REUTERS/Alexandre Meneghini
New Orleans musicians parade in downtown Havana, Cuba, January 15, 2020. REUTERS/Alexandre Meneghini
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