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The Guardian - UK
The Guardian - UK
Lifestyle
Jonathan Jones

Farewell, Zaha Hadid and Google goes gaga for Deep Dream – the week in art

Dutch flowers two ways … paintings by Paulus Theodorus van Brussel, left, and Dirck de Bray at the National Gallery.
Dutch flowers two ways … paintings by Paulus Theodorus van Brussel, left, and Dirck de Bray. Photograph: National Gallery

Exhibition of the week

Dutch Flowers
The Dutch Republic in the 17th century took flowers seriously – so seriously it was gripped by tulip-mania. The flower-growing obsessions of the age still shape the look of Holland today. In art, flowers offered a perfect subject for the realist artists from an age when the microscope was pioneered. Paintings by Ambrosius Bosschaert the Elder, Rachel Ruysch and others showcase fascinating visions of colour – but look out for the worm in the bud, the lizard under the leaf.
National Gallery, London, 6 April-29 August.

Also showing

Glasgow International
The only British city that rivals London as a centre of new art (and has a nicely rougher and less commercial creative edge) celebrates its vibrant scene with a host art events, including a group show at the Tramway co-designed by Martin Boyce and featuring Alexandra Bircken, Sheila Hicks and Amie Siegel among others.
Various venues, Glasgow, 8-25 April.

The Other Art Fair
Fancy your chances as a talent spotter? Collect the next art star cheap, or at least support young artists at this fair specialising in “emerging and undiscovered” British art.
Victoria House, London, 7 April -10 April.

Graham Hudson
Video installation that explores mind, body and an unrequited desire for Che Guevara.
Canal Projects, London, 8 April-14 May.

Sokari Douglas Camp
Botticelli is all over the place right now. This exhibition is called Primavera and offers an African perspective on the European classical tradition.
October Gallery, London, 7 April-14 May.

Masterpiece of the week

Boy Bitten by a Lizard, 1594-95, by Michelangelo Merisi da Caravaggio.
Boy Bitten by a Lizard, 1594-95, by Caravaggio. Photograph: National Gallery

Caravaggio is a mean painter of reptiles. Like the snakes that writhe on a human head in his terrifying portrait of the monster Medusa, the lizard that nips a sensuous youth’s filthy finger in this early work is highly realistic. It has been painted from life as have the dusty water in the flower bowl through which the studio’s yellow windows are refracted. Such details of raw life give Caravaggio’s art its biting power.
National Gallery, London.

Image of the week

Movses Haneshyan, 105, one of the last remaining survivors of the Armenian Massacre
This is a photograph of Movses Haneshyan, 105, one of the last survivors of the Armenian genocide, as he sees a picture of his former home for the first time in a century. ‘He started to cry and then sing: “My home. My Armenia,” photographer Diana Markosian told the Guardian. Photograph: Diana Markosian

What we learned

‘Queen of the curve’ Zaha Hadid has died at 65

Hadid was a maker of wonderswith her share of blunders

What the Syrian city of Palmyra looks like after its recapture

Spencer Tunick is asking the people of Hull to strip off – chilly!

Scarecrows live up their name in these terrifying photographs

Bruce Munro has flown 60,000 lightbulbs out to Uluru in Australia

Van Gogh had his ear to the New York pavement this week …

… and the installation Jungleized has brought the Amazon to the concrete playground

Google’s Deep Dream is creating some beautiful – and sometimes terrifying – images

A fragment from a Roman Christian settlement has been found in London

Why flora- and fauna-mad Maria Sibylla Merian was an artist ahead of her time

British Museum new chief Hartwig Fischer has some history lessons for us

The Los Angeles mural movement is in rude health

Famous photographers have snapped their favourite food

This couple quit their jobs to spend a year photographing each other

Kitsch-peddler Ken Done might just be Australia’s most underrated artist

Photographers have turned their lens on the 1% – and it’s not pretty

How Whistler’s Mother became a powerful symbol of the great depression

All you need for a good beard is a big bottle of bubble bath

Londoners are a photogenic bunch

Don’t forget

To follow us on Twitter @GdnArtandDesign

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