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Reuters
Reuters
Business
Rollo Ross

'Falcon and the Winter Soldier' illuminates Marvel's post-blip world

FILE PHOTO: Cast members Sebastian Stan (L), Winston Duke (R) and Anthony Mackie pose for a portrait while promoting the "Avengers: Infinity War" in Beverly Hills, California, U.S., April 21, 2018. REUTERS/Mario Anzuoni

Marvel Studios' newest TV spinoff, "The Falcon and the Winter Soldier," promises to show fans what life is like in the superheroes' universe following the spectacle of 2019 film "Avengers: Endgame."

The six-episode series, debuting Friday on Walt Disney Co's Disney+ streaming service, stars Anthony Mackie as The Falcon and his alter-ego Sam Wilson. Sebastian Stan plays Bucky Barnes, also known as The Winter Soldier.

FILE PHOTO: Sebastian Stan attends the Avengers: Infinity War fan event in London, Britain April 8, 2018. REUTERS/Henry Nicholls

The pair were last seen coming back from oblivion in the movie "Endgame", along with half the world's population after they were erased out of existence by adversary Thanos, a period known as the blip.

    "The biggest question is 'What is the new normal post-blip?'," Mackie said in an interview with Reuters. "Everyone is trying to figure out how they fit back into society. So that's the big question that's answered."

Both Mackie and Stan developed backstories for their characters, who had largely supporting roles in the Marvel films, and worked with writers to help create the series.

FILE PHOTO: Actor Anthony Mackie arrives at the 22nd Screen Actors Guild Awards in Los Angeles, California January 30, 2016. REUTERS/Mike Blake

    Lead writer Malcolm Spellman said he aimed to create a tone similar to buddy cop films such as "48 Hours," "Bad Boys" and "Lethal Weapon."

"Those movies are able to be fun and muscular but very, very grounded and deal with very, very serious issues in a way that doesn't alienate people," Spellman said.

    One of the issues explored in "Falcon and the Winter Soldier" is racial discrimination. In the first episode, Wilson tries and fails to get a loan from a bank, and throughout the series the character grapples with how a Black man should represent a country that he feels doesn't represent him.

    "I was grateful to have a chance to be a part of making sure it was honest and making sure that his Blackness wasn't muted - do you know what I'm saying? - and his opinions were real," Spellman said.

(Reporting by Rollo Ross, writing by Lisa Richwine; editing by Jane Wardell)

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