Documentaries are a medium driven by curiosity, with nonfiction filmmakers delving into a wide array of subjects with a sense of wonder. Max Kestner's 'Life and Other Problems' embarks on a journey through philosophy, biology, and evolution, aiming to tackle profound questions about life and consciousness.
The documentary is sparked by the controversial euthanization of Marius, a giraffe at the Copenhagen Zoo in 2014. This event prompts Kestner to explore the fundamental question: What is life? Through conversations with experts in ecology, evolution, and neuroscience, Kestner delves into the complexities of life, consciousness, and the interconnectedness of all living beings.
While the film raises thought-provoking ideas about animal rights, speciesism, and the ethics of zoos, it sometimes struggles to connect these themes with the broader philosophical inquiries it seeks to address. Kestner's exploration of free will, the 'life force' in all beings, and the continuum between different forms of life can feel disjointed and lacking in cohesion.
Visually, the documentary juxtaposes archival footage of the Marius incident with sweeping landscapes and scientific discussions, creating a contrast between the personal and the abstract. However, this fragmented approach may hinder the film's ability to offer a clear and focused perspective on its subject matter.
Ultimately, 'Life and Other Problems' showcases Kestner's insatiable curiosity and his desire to grapple with profound questions about existence. While the documentary ventures into intriguing territory, its lack of a cohesive narrative thread and overarching thesis may leave viewers with more questions than answers.
