Two artists' alternative takes on landscape art uncover delightful micro-worlds lurking in small, ignored corners of the Cornish wilds. At Newlyn Art Gallery until 9 July Photograph: PR
Atmadjaja's two sequential interactive exhibitions promise to explore what the artist has called psycho-acoustic phenomena. In Intrinsic (above) abstract vertical light beams variously flutter and throb as electronic sound waves are influenced by the visitor's movements. At Chinese Arts Centre until 11 June and from 2-23 July Photograph: PR
Two shows that are convincing attempts to revive the historic profiles of 20th-century artists overshadowed by their colleagues. Albers was married to abstract painter Josef Albers, while Dalwood's dreamlike sculptures looked eccentric next to purists such as Moore. At Warwick Arts Centre's Mead Gallery until 25 Jun Photograph: PR
Here, contemporary artists respond to the collection of over 10,000 cultural objects housed by Leeds educational resource Artemis. Lubaina Himid and Susan Walsh have set up miniature memorials to women's drudgery, made from old-fashioned washtubs, mangles and washboards (above). At Project Space Leeds until 6 August Photograph: PR
Core's drawings are suggestive of an almost cloistered reverie and therefore should be a perfect fit for the basement intimacy of this space. The artist takes functional objects and imagines their dysfunctional use as props and animated protagonists in her own private dreamworld. At Untitled Gallery until 5 June Photograph: PR
Leckey's whip-smart take on cultural quotation leaves few references unturned. His first big UK exhibition since he won the 2008 Turner prize also features Fiorucci Made Me Hardcore (above), the cult video work that first won him art world kudos back in 1999. At Serpentine Gallery, W2, from Thursday until 26 June Photograph: PR
Mankind's giant leaps and terrible falls play back and forward in Matthew Day Jackson's thrilling, chilling sculptures and installations. His debut show at a big-gun gallery sees him transforming the cockpit of a B-29 – the plane that dropped the bombs on Hiroshima and Nagasaki – into a 21st-century ark. At Hauser & Wirth, Savile Row, from Friday until 30 July Photograph: Stefan Altenburger Photography
For her fans, Emin is a straight-talking poet of the heart's dark recesses; for her critics, an attention-seeking cliche. In spite of her massive public profile, her first major survey has been a long time coming. Beginning with works from the early-90s – such as There's a Lot of Money in Chairs (1994) – this is a chance to take in the compelling fuller picture. At the Hayward Gallery, SE1, from Wednesday until 29 August Photograph: PR
