Katya Sander's Televised, showing as part of All That Fits, an insightful look at fact and fiction in contemporary art which borrows from news documentary and reportage. The show also features Eric Baudelaire's The Dreadful Details, which brings Manet's 1867 painting The Execution of Maximilian up to date in images that restage atrocities of the Iraq war. At QUAD, Derby, until 31 July Photograph: PR
Parker's Thirty Pieces of Silver has more than 1,000 silver objects – from candlesticks to an old trombone – collected by the artist, flattened by a steam roller and suspended from the cathedral ceiling so they appear to levitate. At York St Mary's until 30 October Photograph: Shannon Tofts
HONK (1963), showing as part of a small collection of works donated from the collection of Anthony d'Offay. Ruscha depicts the culturally hot landscape of Hollywood with an aptly cool technical restraint. At Wolverhampton Art Gallery until 29 October Photograph: Marcus Leith
Tony Ray Jones's Beauty Contest, Southport 1967, part of Guernsey Photography Festival, which looks set to become a cornerstone of the cultural calendar. Three British staples headline among more than 20 exhibitions at St Peter Port, 28 May
until 30 June Photograph: National Media Museum/SSPL
Stidworthy's work demonstrates her interest in language, whether as cultural glue, or through subversive translations. Her latest exhibition is dominated by the incredible but true figure of Sacha Van Loo – a blind linguist, fluent in seven languages and with an ear finely tuned to hundreds of accents – who analyses wire-tap recordings for the Belgian police. At Matt's Gallery, London E3, until 17 July Photograph: Courtesy the artist and Matt's Gallery, London
For her first UK show in six years, Pryde returns to the theme of reproduction, combining fantasy fertilities with a technological vision of biological reality. The show's title, Embryos and Estate Agents: L'Art de Vivre, sets the teasing tone for how this might be approached. At Chisenhale Gallery, London E3, until 10 July Photograph: Commissioned by Chisenhale Gallery, London
Linder's Untitled, 2011, part of her latest series which fuses magazine cookery pages with retro-looking soft porn imagery: wry collisions of the different fantasies sold to men and women. Showing at Modern Art, London W1, until 24 June Photograph: Courtesy of Stuart Shave/Modern Art, London
It's increasingly common for art shows to sample or subvert scenarios of domestic respectability. Jo Lansley and Neeta Madahar present a photographic diptych (Scape, above) that uses a bedroom backdrop for evocations of barely suppressed longing. Other works from the show tackle the familial theme in everything from shantytown sculptures to an account of the last days of a dying grandmother meticulously drawn from mobile phone snapshots. At The International 3, Manchester, until 17 June Photograph: PR
