Displaying a passion for colour and organic forms, Nepomuceno's work harks back to that of great Brazilian innovators such as Helio Oiticia and Lygia Clark. Maria Nepomuceno is at Victoria Miro gallery, London, until 12 June 2010
Photograph: PR
In the 1980s Richard Deacon and his New British Sculpture cohorts got inventive with whatever they had to hand. Now, cut, wrapped, folded or crushed cardboard provides the base for ceramic sculptures, whose complex realisation belies their humble origins. The Inside is at the New Art Centre, Salisbury, until 25 July 2010
Photograph: PR
Portuguese artist Miguel Palma drives a slinky 1963 Jaguar Mark X car, replete with leather armchair upholstery, all the way from Lisbon back to the city of its original manufacture, Coventry. Jaguar Project is at Warwick Arts Centre, Coventry, until 29 May 2010
Photograph: PR
Part of the Attitude group show, Dan Colen's work looks assembled from some backstreet Berlin scrapyard, typically crazed with graffiti. Attitude is at Initial Access gallery, Wolverhampton, until 25 September 2010
Photograph: PR
Affrasiabi's first London solo show in five years is a riff on spatial configurations and features an array of buildings, from a CGI projection to a mock-up architectural structure that doubles as a fragmented film screen. Subject to Form is at Limoncello gallery, London, until 29 May 2010
Photograph: PR
Stanley Wong, who goes under the name of anothermountainman, has taken good advantage of the 1990s collapse of the property market throughout China, Thailand, Cambodia, Turkey and Singapore by photographically exploiting their leftover landscapes of urban stupefaction. Lanwei/Decaying End is at Chinese Arts Centre, Manchester, until 12 June 2010
Photograph: Stanley Wong
In Belsay Hall's contemporary artists show, Matt Collishaw infiltrates the Great Chamber of the medieval castle with a spinning-wheel fantastique of prancing imps and butterflies. Extraordinary Measures is at Belsay Hall, Morpeth, until 26 September 2010
Photograph: PR
Perceptions of disability and art-world hubris are the frequent focus of Aaron Williamson's ribald, unsettling work – here, a selection of collaborative films features an homage to slapstick mavericks Tom and Jerry. The Bell-Clapper & Bestiary is at Spike Island, Bristol, until 6 June 2010
Photograph: PR
