LA-based artist Kelley is obsessed with Superman mythology. Since 1999, he has created 20 sculptural depictions of the miniaturised Krypton city of Kandor (Kandor 16, pictured) in coloured resins, setting them in tinted glass bottles, each based on different Kandors created by DC Comics' illustrators. In his new show, Kelley turns to the Fortress of Solitude that houses the shrunken city, realising the superhero's hideaway as a rocky bunker. At Gagosian Britannia Street, WC1, until 22 October 2011
Photograph: Fredrik Nilsen
A still from Yang Fudong's Fifth Night, 2010, in which a stagey street scene is experienced from seven different angles with seven screen projections simultaneously closing in on its players' emotional nuances. A typically stylish film installation from Fudong, with perfectly composed imagery and a heady atmosphere of yearning. At Parasol Unit, N1, 13 September until 6 November 2011
Yang Fudong
Dilworth's sculptures hold their own through the finely-tuned tension between his use of steel and wood and a spirit of improvisation that allows for unforeseen sculptural twists and turns. At Huddersfield Art Gallery until 27 November 2011 Photograph: Norman Dilworth
LS Lowry's The Park, 1946, part of this show of works on loan from the Arts Council Collection to celebrate the Turnpike Gallery's 40th anniversary. The show also takes in works by George Shaw, Cornelia Parker and Frank Auerbach. At Turnpike Gallery until 5 November 2011
© The Estate of LS Lowry
Roni Horn's photographs of people are not portraits in the obvious sense. Her famed You are the Weather (pictured) consisted of 100 head shots of a woman bathing in Icelandic pools where the weather is written in her face. Horn has now recreated this work with the same model posed in those hot springs some 15 years on. New gem-like sculptures and large abstract drawings complete the show. At Hauser & Wirth, W1, until 22 October 2011 Photograph: Roni Horn
Man Cutting Wood (yellow and black) is one of several woodblock prints depicting Boy's Own-types hard at carpentry. Woods is known for skewering design culture mores, and here he tackles the current trends for retro decor and cosy nostalgic nationalism. Look out also for his dry stone wall, which looks decidedly precise and industrially made, ready to be wheeled out of the factory and into a contemporary dream-world of bygone days. At Works/Projects, 16 September until 19 November 2011 Photograph: Richard Woods
Rough's mixed-media art is deceptively spontaneous. His cut-out texts and scrawled intimacies – such as Failed Patter (Away From Here), pictured – resemble less the tired mannerisms of urban tagging than the erotic reveries once etched into toilet walls or the heartfelt romanticisms carved into tree bark. This is doodled mischief, painstakingly presented. At Sorcha Dallas until 7 October 2011 Photograph: Gary Rough
The University of Derby hosts a modest yet wide-ranging survey of concrete poetry (as much visual art as it is a literary tradition). The show celebrates the role over the last 60 years of Eugen Gomringer (pictured), as well as taking in big names such as Henri Chopin and Dom Sylvester Houedard. At University of Derby School of Arts, Design and Technology, 13 September until 14 October 2011 Photograph: PR
