Untitled ii by Daniel Sinsel (above). The artist presents studies in space, volume and illusion, with paintings whose libidinal charge throbs in trompe l'oeil views of fabric folds, razor slits, holes and intrusive wooden flutes. At Chisenhale gallery to 13 March Photograph: PR
South China Sea Pishkun is a remarkable digital animation by Vietnamese artist Dinh Q Lê that tackles the grim futilities of warfare with an almost hallucinatory metaphorical force. At CBSO Centre, Sat & Sun
Photograph: Courtesy of the artist and P.P.O.W Gallery, NY, CBSO
Men at Work, 2011, Needlepoint (above) can be seen in Doug Jones's bed-and-breakfast hotel installation of declining ambitions and fading desires. At Ceri Hand gallery, to 19 March
Photograph: Image courtesy of the artist and Ceri Hand Gallery
Imran Mudassar, Life Drawing, 2009 (above) is part of the exhibition Drawn From Life, which takes on the global renaissance in drawing with a refreshing sense of wide-eyed discovery. At Abbot Hall art gallery, to 26 March
Photograph: Usman Javed; Courtesy of the artist and Green Cardamom
Mosaic 3, 2009 (above) forms part of an intriguing installation that obliquely addresses Operation Cast Lead, the 2008-9 Israel Defence Forces attack on the Gaza Strip that resulted in between 1,166 and 1,417 Palestinian and 13 Israeli deaths. Goto uses picture-editing software to filter images from the conflict and transform them into large-scale digital abstracts. At Edinburgh Printmakers, to 19 March Photograph: PR
The late Brazilian-born, London-based artist's thin washes of watercolour and inky splodges depict images from rows of sunglasses to a slouching figure in a hooded top, all cast adrift against a void of white paper. At Kettle's Yard, to 13 March
Photograph: Courtesy of the estate of Lucia Nogueira and Anthony Reynolds gallery, London
Works include Anthony Caro's heavy metal assemblages (such as Early One Morning, 1962, above) and Damien Hirst's vitrine enshrining a barbecue picnic. At Royal Academy of Arts, Sat to 7 April
Photograph: John Riddy
In this mini-survey of King's career you can see key early works that include the brutalist Window Piece, a white plaster box set on the floor, while his latest works, such as Emergence, 2007 (above), continue a theme of coloured constellations in offbeat materials like foam. At Flowers gallery, to 19 February
Photograph: Courtesy of the artist and Flowers gallery
