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The Guardian - UK
The Guardian - UK
Lifestyle
Leah Harper

Elise Wehle's intricate paper art – in pictures

Elise Wehle artwork: P1014378 by Elise Wehle
P1014378. 'This was a Facebook photo that I took when I was taking a trip out in the desert. Some of my titles are the image number from my camera, or how many megabytes the image was,' says Wehle Photograph: Elise Wehle
Elise Wehle artwork: A Five Month Self Portrait by Elise Wehle
Five Month Self Portrait. 'I decided to carry a pad of paper with me for five months, to write down the different thoughts that were going through my head as I worked. I compiled the notes into an online document and then created this portrait out of all of the words' Photograph: Elise Wehle
Elise Wehle artwork: P1015451 by Elise Wehle
P1015451. 'Intaglio is a really old printmaking process where you indent the image on a copper plate and then print off of it. From there, I would use the print to create the weave' Photograph: Elise Wehle
Elise Wehle artwork: P1014412 by Elise Wehle
P1014412 by Elise Wehle. 'The image is of a person with a Holga camera around her neck. It has been cropped to only include the upper torso, arms and camera of the individual' Photograph: Elise Wehle
Elise Wehle artwork: Canyon2usgs by Elise Wehle
Canyon2usgs. 'We get so frustrated with our technology when it's not responsive and it takes longer than two seconds. I wanted to slow down and do something that would take me forever,' says Wehle Photograph: Elise Wehle
Elise Wehle artwork: 110 MB paper artwork
110 MB. 'The image is of a sun either rising or setting over a mountain' Photograph: Elise Wehle
Elise Wehle artwork: 123rf paper artwork in red
123rf 'This is a red sunset over the mountains' Photograph: Elise Wehle
Elise Wehle artwork: Forestwithsmokehg by Elise Wehle
Forestwithsmokehg. 'Putting hours into working with my hands helped to separate myself from technology,' says Wehle Photograph: Elise Wehle
Elise Wehle artwork: Gnatthebrat by Elise Wehle
Gnatthebrat. 'My favourite image is this one of the deer – it conveys both the pixelation and the naturalisation really well' Photograph: Elise Wehle
Elise Wehle artwork: Looking Down I by Elise Wehle
Looking Down 1. 'I made the Looking Down images when I first started the project. I was thinking about how much we look down at our devices and don't make eye contact with the people around us' Photograph: Elise Wehle
Elise Wehle artwork: Looking Down II by Elise Wehle
Looking Down II 'I wanted to cut into the images and reduce them to smaller parts, in the way that our images get reduced to pixels,' says Wehle Photograph: Elise Wehle
Elise Wehle artwork: Looking Down III by Elise Wehle
Looking Down III Photograph: Elise Wehle
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