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The Guardian - UK
The Guardian - UK
Lifestyle

Electric dreams: Cerith Wyn Evans sets White Cube alight

Cerith Wyn Evans: Superstructure (2010)
The artist's installation, entitled Superstructure: Trace Me Back to Some Loud Shallow Chill Underlying Motive’s Overspill (2010), takes up the lower ground floor space of White Cube Mason's Yard gallery
Photograph: Todd-White Art Photography/White Cube
Cerith Wyn Evans: Superstructure (2010)
The luminous tubes are a reference to the former electricity sub-station which once stood on the site now occupied by the gallery
Photograph: Todd-White Art Photography/White Cube
Cerith Wyn Evans: Superstructure (2010)
Intermittently, the columns surge to a blinding brightness, then fade back down to black
Photograph: Todd-White Art Photography/White Cube
Cerith Wyn Evans: Constellation: I Call Your Image to Mind (2010)
Part art installation, part 'polyphonic sound mobile', Constellation: I Call Your Image to Mind (2010) is suspended in the ground floor gallery
Photograph: Todd-White Art Photography/White Cube
Cerith Wyn Evans: Constellation: I Call Your Image to Mind (2010)
Sixteen mirrored discs rotate gently in mid-air, transmitting ultra-sonic beams of sound – such as Wyn Evans's piano arrangements and field recordings from Jodrell Bank
Photograph: Todd-White Art Photography/White Cube
Cerith Wyn Evans: Constellation: I Call Your Image to Mind (2010)
The shifting bursts of sound are intended to disorientate the viewer and create a 'phenomenological experience'.

Everyone's Gone to the Movies is at White Cube Mason's Yard, London, until 22 May 2010


Photograph: Todd-White Art Photography/White Cube
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