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The Guardian - UK
The Guardian - UK
Lifestyle

Early portraits by Lucian Freud

Stephen Spender, painted in 1940
Stephen Spender, 1940.
Oil on canvas

Lucian Freud is now 85 and is still working. A new exhibition in London looks back some seven decades to the first years of his career. At the age of just 17, Freud painted poet and writer Stephen Spender
Photograph: PR
Gerald Wilde, painted in 1943
Gerald Wilde, 1943
Oil on panel
Freud characterised his early work as the product of 'maximum observation', achieved 'by staring at my subject matter and examining it closely' - a technique he moved away from over the following decade. Gerald Wilde (1905-86) was an established London artist whose dark work was inspired by the blitz
Photograph: PR
Man with Arms Folded, painted in 1944
Man with Arms Folded, 1944
Conté and chalk on brown paper
The man depicted here is the 16-year-old Michael Wishart, son of Freud's friend and subject Lorna Wishart, who furnished him not only with live sitters, but also with a dead heron (subject of another painting in the exhibition) and a stuffed zebra, which features in various early works
Photograph: PR
Portrait of a man (John Craxton), painted in 1946
Portrait of a Man, 1946
Oil on canvas

This work depicts John Craxton, a fellow painter who shared rooms with Freud in St John's Wood in the early 1940s. They spent time together in Paris in 1946, and spent the end of that summer painting in Greece, where this canvas was completed, hence the visible sunburn. Craxton says that this was the time when Freud 'made some of his most limpid and luminous paintings'
Photograph: PR
Girl in a Dark Jacket, painted in 1947
Girl in a Dark Jacket, 1947
Oil on panel

Kitty Garman, daughter of sculptor Jacob Epstein and niece of Lorna Wishart, was Freud's first wife. This was his first portrait of her, completed the year before their marriage
Photograph: PR
Man at Night (Self Portrait), painted in 1947-48
Man at Night (Self-portrait), 1947-48
Pen, ink and conté

Although a self-portrait, this drawing is very similar to a sketch of a character named Arvid from a series of Freud's illustrations, submitted to accompany the story Flyda of the Seas, by Princess Marie Bonaparte, a patron of Freud and a prominent psychoanalyst. The illustrations were rejected by the publisher
Photograph: PR
Girl in a Blanket, painted in 1952
Girl in a Blanket, 1952
Oil on canvas

Henrietta Moraes was Freud's lover when she posed for this work. She recalled watching 'the contorted figures of meths drinkers creep past the cafe window' on the street below while sitting. Moraes was also painted frequently by Francis Bacon in the same period
Photograph: PR
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