Formed in 2012, this Chinese string quartet prides itself on introducing rarely heard works and contemporary music. Here they have chosen, in contrast, two of the most famous works in the chamber music medium. If you don’t already have recordings and want this combination, these are fresh, played with pinpoint accuracy, well paced and free from excessive vibrato (noticeably in the opening bars of the Schubert). If “Death in the Maiden” feels a little cool for some tastes, the Dvorák is a delight. His much loved “American” quartet, No 12 in F major, has a lingering, lyrical slow movement and an irresistible, flyaway finale, restlessly changing key before landing. This nimble quartet make light work of it.
