Post-punk, a genre known for its brittle, guitar-heavy sound and choppy rhythms, has seen a resurgence in recent years. Originating in late-'70s Britain with bands like Public Image Ltd., Gang of Four, and Joy Division, post-punk found a home base in the industrial city of Leeds, known for spawning major acts in the genre.
One such band keeping the post-punk flame alive is Drahla, a quartet hailing from Leeds. Their latest album, 'Angeltape,' showcases a level of authenticity that pays homage to the genre's roots. The album features dueling guitars, trebly bass, complex rhythms, a blaring saxophone, and lead vocalist Luciel Brown's dynamic delivery.
While Drahla has been active since 2016, their foray into post-punk began a few years later, culminating in their 2019 debut album, 'Useless Coordinates.' However, 'Angeltape' represents a significant evolution in their sound, demonstrating growth and maturity.
Despite the risk of monotony inherent in the genre, Drahla manages to keep things fresh by incorporating tempo changes and vocal effects throughout the album. Tracks like 'Lipsynch' and 'Talking Radiance' showcase the band's ability to experiment while staying true to their post-punk roots.
Notably, the press notes allude to challenges faced by the band during the pandemic, which have subtly influenced their music. Yet, 'Angeltape' reflects a resilience and creativity that have transformed these obstacles into artistic inspiration.
In conclusion, Drahla's 'Angeltape' stands as a testament to the enduring appeal of post-punk music and the band's commitment to pushing boundaries within the genre. With their authentic sound and innovative approach, Drahla continues to captivate audiences and solidify their place in the contemporary music scene.
