Paramount’s long-planned live-action Dora the Explorer movie proves an appreciably peppy entertainment. James Bobin and Nicholas Stoller, the writer/director pairing behind The Muppets (2011), reframe the wide-eyed, song-prone heroine of Nickelodeon’s educative teatime treat much as Enchanted (2007) did decades of Disney princesses, pitching a picture-book avatar into something like reality. At first we’re encouraged to laugh at an in-every-sense curious figure, then nudged towards an acknowledgement that this open-minded, forward-looking Latin Pollyanna might still teach civilisation a thing or two. It’s the only family film on release to broach the issue of how to escape quicksand intact.
The first act is slightly more subversive than what follows. When her parents (Michael Peña and Eva Longoria) set off in search of Eldorado, the now teenage Dora (Instant Family’s Isabela Moner) is dispatched to relatives in LA, where she creates havoc at school security with her well-stuffed backpack and calls out Moby-Dick for cultural appropriation. Thereafter, the film settles into a conventional matinee arc, with the players returned to colourful jungle landscapes, as per Sony’s Jumanji reboot, in search of the suddenly missing mom and pop.
Family integrity is the real treasure, though even here there’s the odd, distinctive flourish: youngsters amused by the song about digging a poo hole will be beside themselves at the psychotropic flowers that momentarily convert the action back into animation.
The knowing tone again feels like Hollywood confessing to trading in material few could take seriously, yet a certain sincerity is evident in Moner’s winning performance, and in the most conscientious, cine-literate Latin-American hiring policy this side of Robert Rodriguez’s Spy Kids films, encompassing both Peckinpah survivor Isela Vega and Danny Trejo as the voice of a wise monkey.
Comedian Eugenio Derbez sports a treacherous beard worthy of the great 80s character actor William Atherton; Peña and Longoria have giggly, conspiratorial fun in dispatches. No one is enjoying themselves more, though, than production designer Dan Hennah (Thor: Ragnarok), who gets to recreate Raiders of the Lost Ark on a modern studio budget, at every turn conjuring up sets that even the adults in the audience might want to run around on.
• Dora and the Lost City of Gold is released in the UK on 16 August and in Australia on 19 September.
