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The Guardian - UK
The Guardian - UK
Entertainment
Michael Cragg

Disclosure: Caracal review – dance duo’s second is saved by the guests

Disclosure
In need of a boost: Howard (left) and Guy Lawrence of Disclosure performing in Las Vegas, September 2015. Photograph: Kevin Mazur/WireImage

2013’s Settle, the debut album from producers Guy and Howard Lawrence, AKA Disclosure, helped cement dance music’s current domination, offering a finessed alternative tothe perceived crash, bang, wallop of EDM. Follow-up Caracal replicates that album’s template – dinner-party deep house, bubbling UK garage, a smattering of guest vocalists – but, for the most part, loses its personality. Too often the songs feel either overly familiar (the Sam Smith-assisted Omen, the AlunaGeorge-esque Superego), or strangely undercooked. Thankfully the big-name guests step up to the plate, specifically Miguel on the hazy Good Intentions; the Weeknd, who continues his pop trajectory on Nocturnal; and Lorde, who slinks playfully around Magnets’ subtle electro shuffle. Overall, however, Caracal is an early sign a shake-up may be needed.

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