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Louder
Entertainment
Philip Wilding

Dense, layered and pulsing with melody, Florence Black's Bed Of Nails is a remarkable album

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Nothing tells you that an artist is on the up more than them suddenly writing a song about having to pay tax. 

I’m not saying that Florence Black have changed tax brackets and are looking at Bon Jovi-like ticket sales, which is not to say they won’t – Bed Of Nails is saturated with great songs that could easily make any arena rock – but they have written a tune called Taxman, which puts them up there with Beatles, sort of.

That musical tirade aside, and the band’s second album is very good indeed. Think Alter Bridge with a grudge; dense, layered, pulsing with melody, but quite likely to crack you in the face if you say the wrong thing. 

And that edge, with their bright melodies – the country ring of Back To The End, the building roar that is Warning Sign, the rattling The Way Home – makes for a remarkable record. Let’s hope they keep their receipts.

Physical copies of Bed Of Nails are available from the band's webstore.

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