Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Lifestyle
Guardian readers

Dancing petals and a Banksy spectacular: readers' favourite art shows of 2015

The Roses of Heliogabalus, 1888, Lawrence Alma-Tadema.
The Roses of Heliogabalus, 1888, Lawrence Alma-Tadema. Photograph: Studio Sebert/Leighton House Museum

A Victorian Obsession
Leighton House, London

A wonderful collection of the best of Victorian art, brought over from the US and staged in the home of one of the best of Victorian painters. Raymond Burt

Beautiful paintings that made me cry! Now when does a painting ever make a person weep? :) Juliette Hettema

An interesting exhibition in fantastic surroundings. Not only for your eyes and ears, but your nose, too! Extraordinary indeed. Eva Hedberg-Borenstein

A beautiful, uniquely displayed exhibition – especially the room of the scented roses. I went three times. Rosemary Wilmot

I particularly enjoyed the Pérez Simón collection, as I discovered the work of Lawrence Alma-Tadema and the impressive The Roses of Heliogabalus, with the vivid petals dancing in the air. Although his work can seem quite academic and classical, I thought the way he approached the topics of his paintings and how he connected the spectator with his art were extremely well done. Matthieu Beignet

Amazing paintings shown in an atmospheric setting. This exhibition was so wonderful that I travelled from the Midlands to see it. Susan Lupton

Ai Weiwei
Royal Academy, London

Ai Weiwei’s installation S.A.C.R.E.D which depicts a scene from his time in prison, at the Royal Academy in London
Ai Weiwei’s installation SACRED, which depicts a scene from his time in prison. Photograph: Andy Rain/EPA

A truly stupendous exhibition, grappling with hugely pertinent issues – free speech, the surveillance state and cultural history. As the UK fosters an increasingly close relationship with China, we need to be clear about the nature of our new bedfellows. I was particularly struck by the young Chinese people at the exhibition – there were quite a few of them when I visited, and they were enthralled. This is something they would never see in China, and it was clearly something they connected to and considered important. Johanna K Reades

Such a powerful, moving experience, with wonderful concepts beautifully realised. It was a creative and effective indictment of a state’s abuse of the individual and the community. This is contemporary art at its very, very best, as far as I am concerned. Kyria Conner

I chose to see the Ai Weiwei exhibition because his art was interesting. Then I found out the story behind it, which gives it more power and emotion. It makes you realise how powerful art is when it begins to look like the only thing the Chinese government can do to Ai Weiwei is ignore him – as anything they do directly to him makes him more powerful because of his art. K Turner

The World of Charles and Ray Eames
Barbican, London

The World of Charles and Ray Eames at the Barbican.
The World of Charles and Ray Eames at the Barbican. Photograph: Tristan Fewings/Getty Images

Exquisitely researched and presented. A real treat. Eleanor Nairne

Beautiful presentation of the designers in a new light – more than just chairs! Orion Hunt

I simply love chairs! Lisa Smith

Sun Ra
Nottingham Contemporary

His prodigious output of unique music and vision, exemplified by the 70 or so album illustrations and the wondrous 1970s film, Space Is the Place, a psychedelic blaxploitation epic. It sits well in the thoughtfully curated Alien Encounters show. I loved the layout of the exhibits and the interactive nature of the gallery. Top marks. Lee Best

Alexander McQueen: Savage Beauty
Victoria and Albert Museum, London

Plato’s Atlantis Spring/Summer 2010 by Alexander McQueen, on display at Savage Beauty
Plato’s Atlantis, Alexander McQueen’s spring/summer 2010 collection, on display at the V&A. Photograph: Andy Rain/EPA

This gets my vote because the exhibition had art, fashion, music, design and creativity, incorporated multimedia and was incredibly displayed. I had no idea how innovative and cutting edge Alexander McQueen’s fashion shows were, or his dark side, which was evident in some of his designs. I came away from the show enlightened and totally blown away. Brilliant! Bozenna Borzyskowska

Dismaland
Weston-super-Mare, Somerset

The Dismaland castle with Banksy’s Little Mermaid, in a disused Lido on the seafront of Weston-Super-Mare
The Dismaland castle, with Banksy’s Little Mermaid, at a disused lido in Weston-Super-Mare. Photograph: Alicia Canter for the Guardian

A bold dystopia concept, interesting installations. Yayu Hu

Goya: The Portraits
National Gallery, London

The Duke and Duchess of Osuna and Their Children, 1788, by Francisco de Goya.
The Duke and Duchess of Osuna and Their Children, 1788, by Francisco de Goya. Photograph: Facundo Arrizabalaga/EPA

I didn’t think another exhibition could match the Rembrandt: The Late Works, but this certainly did. Beautifully curated, this exhibition moved me enormously. Lindsay Attree

Leon Underwood
Pallant House Gallery, Chichester

Venus in Kensington Gardens, 1921, Leon Underwood.
Venus in Kensington Gardens, 1921, Leon Underwood. Photograph: Pallant House Gallery

Amazing show by an underrated artist, who should be as well known as his contemporaries. Sonia Wiffen

The first exhibition of his work in more than 40 years. It showed how great his work was – and still is today. Nigel O’Gorman

Joseph Cornell: Wanderlust
Royal Academy, London

Untitled (Tilly Losch) by Joseph Cornell, circa 1935-38.
Untitled (Tilly Losch), circa 1935-38, by Joseph Cornell.


A perfectly displayed look into the rather lovely soul of a man with an incredible eye and imagination. Worth seeing in the flesh, as no pictures can do justice to his work. Kalundborg

Sargent: Portraits of Artists and Friends
National Portrait Gallery, London

Le Verre de Porto (A Dinner Table at Night), 1884, by John Singer Sargent.
Le Verre de Porto (A Dinner Table at Night), 1884, by John Singer Sargent.

I was enthralled by the beauty and elegance of the portraits. John Ruescas

Sonia Delaunay
Tate Modern, London

Prismes electriques, 1914, by Sonia Delaunay. © Pracusa 2013057/CNAP
Prismes electriques, 1914, by Sonia Delaunay.

This is someone I knew nothing about until I saw the exhibition. I loved the variation of paintings, fabrics, etc and vibrant colours. Judith Levinson

Anish Kapoor
Versailles

Dirty Corner by Anish Kapoor, which was vandalised twice in 2015.
Dirty Corner by Anish Kapoor, which was vandalised twice in 2015. Photograph: François Guillot/AFP/Getty Images

Bold, beautiful, discombobulating pieces that both spoke to and jarred with the classic Versailles gardens. Keith Bacha

Frank Auerbach
Tate Britain, London

Mornington Crescent, 1965, by Frank Auerbach. Courtesy Marlborough Fine Art
Mornington Crescent, 1965, by Frank Auerbach.

I went to art college in 1957. My main subject was painting, and I discovered the work of Francis Bacon and Frank Auerbach – eureka moments. So it is not surprising that I rate this exhibition the best since Bacon in 2008. Mike Dymond

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.