Exhibition of the week
Inspired By the East: How the Islamic World Influenced Western Art
Five-hundred years of European admiration for Islamic art are revealed in a fascinating perspective on global art history.
• British Museum, London, 10 October to 26 January.
Also showing
Hogarth: Place and Progress
All the hilarious and horrific painted stories of William Hogarth are brought together in the most atmospheric museum in Britain. It should be darkly magical.
• Sir John Soane’s Museum, London, 9 October to 5 January.
Elizabeth Peyton
Fan art becomes high culture in Peyton’s stylish daubs of celebrities.
• National Portrait Gallery, London, until 5 January.
Into the Night: Cabarets and Clubs in Modern Art
Decadence, dancing and modern art from 1920s Berlin to 1960s Nigeria.
• Barbican Art Gallery, London, until 19 January.
Rembrandt in Print
It’s arguable that Rembrandt is even greater in print than on canvas – and this will show you why.
Holburne Museum, Bath, until 5 January
Masterpiece of the week
Cardinal Bessarion with the Bessarion Reliquary (About 1472-73) by Gentile Bellini
When the Ottomans conquered Constantinople – today’s Istanbul – in 1453 and ended the long run of the Byzantine empire, last relict of classical antiquity, its intellectuals fled westward. This painting depicts one of them, John Bessarion, together with the painted reliquary containing pieces of the true cross and Christ’s clothing that he presented to a charitable foundation in his new home of Venice. Gentile Bellini, who depicts the faces venerating this holy object with such tender precision, had a love affair with the east. He was sent by the Venetian republic on a diplomatic mission to Istanbul, where he portrayed people from the sultan to a humble scribe in this same delicate style. Bellini was a human bridge between the rival civilisations of the Renaissance world.
• National Gallery, London.
Image of the week
Fons Americanus by Kara Walker
The US artist has unveiled a fabulous fountain surrounded by shark-infested waters as her Turbine Hall commission at Tate Modern. Grotesque figures and sardonic caricatures refer to the painful history of the British empire, the transatlantic slave trade and past artworks. Read the full review
What we learned
Rachelle Meyer turned her Amsterdam commute into a cartoon strip
Banksy’s MPs-as-chimps piece has sold for £10m
Thierry Noir is repainting the Berlin Wall
The National Gallery has gone prudish about Gauguin
The sound of terror changed Turner finalist Lawrence Abu Hamdan’s life
Gags, tapestry and pandas are in vogue at Frieze London
Rembrandt might not have made the greatest cinematographer
Grafton Architects won the Riba gold medal
Artists with motor neurone disease reveal courage and passion
Street art is helping to build New York anew …
… while Banksy set up shop in Croydon
We found out why Bauhaus was too much for the Brits
Chairman Mao is everywhere in China again
A portrait of Richard III went on public display for the first time
The pre-Raphaelite sisterhood is coming
Elmgreen and Dragset returned to their fake Prada store in Texas
Giorgio Armani has declared his love of Japanese design
For Txema Yeste, fashion is a world of fantasy
… and Blackburn has gone mad for sneakers
Tacita Dean caused a diplomatic storm
The Alfred Fried photography award seeks peace
Prince Harry took over Instagram in the name of trees
Adrian Bradshaw saw the future arrive in China
… while Ivor Prickett watched the Caliphate fall in Mosul
The V&A will close its Raphael cartoons gallery for a revamp
A Vienna design classic will be recreated for a cabaret show
We looked back at Buckminster Fuller’s New Alchemists
We remembered film title design master Wayne Fitzgerald
… and Dutch typographer Wim Crouwel
Don’t forget
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