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The Guardian - UK
The Guardian - UK
Entertainment
Robin Denselow

Damir Imamović's Sevdah Takht: Dvojka review – a new take on Balkan blues

Songs of melancholia … Damir Imamović in the studio.
A fine, suitably pained voice … Damir Imamović in the studio. Photograph: Amer Kapetanovic

Sevdah is one of the great musical styles of the Balkans, with its songs of melancholia, loss or longing inviting comparisons with the blues, Portuguese fado or the sad-edged morna of Cape Verde. Damir Imamović comes from a family of sevdah singers, but has set out to modernise the style, working with producer Chris Eckman, the American guitarist best known for his work with Dirtmusic and the great desert blues band Tamikrest. The result is a classy, accessible set that could bring sevdah to a wider audience. Imamović has a fine, suitably pained voice, as he shows on the opening Sarajevo, his own powerful song about his home city, where children “will be taught venom and hate”. He’s backed by his own custom-made tambur (a guitar-like long-necked lute), and by an impressive violinist, while the electric bass and percussion add unexpected echoes of jazz and even African styles.

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