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The Guardian - UK
The Guardian - UK
Entertainment
John Fordham

Craig Taborn: Daylight Ghosts review – deep jazz insights

Free-floating … Craig Taborn Quartet
Free-floating … Craig Taborn Quartet

However far from familiar paths the American pianist Craig Taborn strays, he sounds surefootedly convinced of his route, and however private his music, it emits a vivid intensity. Daylight Ghosts – a superb quartet set with Chris Speed on reeds, Chris Lightcap on bass and the Bad Plus’s Dave King on drums – operates in Taborn’s favourite free-floating manner: changing fragments of melody rather than dominant themes come and go, steadily transforming the moods. The Shining One mixes quick, boppish exchanges of motifs with twisting, written-unison lines. New Glory is exhilarating free-jazz with a Chick Corea-like Latin vamp in it, and there are deep clarinet and bass interludes, brief bursts of rock-piano riffing and subtle minglings of electronic loops and long-tone sax sounds on Phantom Ratio. Only players with deep jazz insights and wide musical references could have made this fine album.

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