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The Guardian - AU
The Guardian - AU
Entertainment
Alexandra Spring

Club Swizzle review – fun but forgettable circus-cabaret

Club Swizzle
Valerie Murzak on her disco ball for Club Swizzle. Photograph: Prudence Upton/supplied

Perhaps I’ve been spoilt. Club Swizzle, the latest circus–cabaret show from those behind La Soirée and La Clique, has opened at Sydney Opera House. Like its predecessors, it’s a sparkly variety-show blend of acrobatics and clowning. And yet, it doesn’t have quite the same fizz.

The concept is a good one. Swizzle channels the boozy underground vibe of a so-hot-right-now speakeasy, albeit one that’s highly sanctioned. With clever design and a quick wipedown, the central cocktail bar transforms into a stage, and the cocktail-twirling bartenders turn out to be acrobatic troupe The Swizzle Boys. And the in-house band Mikey and the Nightcaps has the crowd foot-tapping with their jazzy saxy tunes.

All good speakeasies needs a host and MC Murray Hill, billed as “the hardest working middle-aged man in show business” is top notch. With his sarky banter, he has the audience enthralled, particularly when he baits one unfortunate patron again and again with lines like: “Right now you’re wondering ‘Is it a man or is it a woman?, aren’t you? The answer, sir, is no.”

The acrobatic cocktail waiters are good, but not exceptional. The sinewy sexy Russian acrobat Valerie Murzak is sinewy and sexy, particularly when balancing on a giant disco ball, but she’s interchangeable with the pole-dancing trapeze artist Anna de Carvalho. And “kamikaze cabaret” artist Meow Meow with her sad-clown Berlin cabaret act is a little lukewarm.

La Soirée had sword-swallowing, rubberclad Miss Behave and the double-jointed tennis racquet contortionist Captain Frodo, while La Clique had the steamy Bath Boy and the deliciously obscene, handkerchief-bothering Ursula Martinez. Club Swizzle has the out-of-place soft-shoe shufflin’ tap dancer Movin Melvin Brown.

The evening’s best segment is the audience participation section, where Hill plucks a willowy blonde and a mop-topped “Jesus” out of the audience and pits them against each other in a pole-dancing contest. The blonde wiggles and wriggles but Jesus wins the vote with his awkward enthusiasm, much to the audience’s delight.

While it’s unquestionably a fun night out, best enjoyed with pals and plenty of cocktails, compared to its predecessors, Club Swizzle just doesn’t have the sizzle.

Club Swizzle is at Sydney Opera House until 15 March

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