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The Guardian - UK
The Guardian - UK
Entertainment
Dorian Lynskey

Burial, Untrue

Where Burial's widely lauded debut evoked a lonely wander through a washed-out, night-time London, the dubstep enigma's follow-up glows a little brighter, finding company in out-of-joint R&B vocals. Over corroded two-step beats, crooning come-ons ("I can't take my eyes off you") loom strange and distorted, like faces materialising out of context in a dream. Swathed in blurry synths and vinyl crackle, Archangel's refrain of "Tell me I belong" is gorgeous in its desperation, while Raver has a kind of ruined euphoria, like a dance anthem dimly remembered a lifetime later. As addictive as its predecessor, Untrue confirms that Burial possesses not just the keen ear of a Lee Perry or Martin Hannett - the album teems with unplaceably familiar noises which might be the hot click of a lighter or the cold scrape of metal on metal - but a capacious heart.

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