Exhibition of the week
Botticelli Reimagined
This provocative look at the afterlife of an artist shows how the Renaissance genius of Sandro Botticelli was rediscovered by the Victorian age and has fascinated art ever since. With poptastic versions of Botticelli by everyone from Andy Warhol to Dolce & Gabbana, this is no staid old-master exhibition – but there are plenty of real Botticellis too. Is this the future of art’s past?
• V&A, London, 5 March to 3 July
Also showing this week
Botticelli Drawings
If you are swept up by Botticelli mania (or are puzzled by the fuss), don’t miss this show of some of his great illustrations for Dante’s Divine Comedy.
• Courtauld Gallery, London, until 15 May
The Indivisible Present
Douglas Gordon, Yoko Ono and Elizabeth Price are among the artists in this exhibition about how we experience time.
• Modern Art Oxford, until 16 April
Bandits Live Comfortably in the Ruins
Curated by artist Sean Lynch and featuring Michele Horrigan, John Latham, Fiona Marron and more, this exhibition explores relationships with the environment.
• Flat Time House, London, 3 March to 2 April
James Coleman
New film installations and past works by an innovator in time-based art.
• Marian Goodman Gallery, London, 4 March to 16 April
Masterpiece of the week
Leonardo da Vinci: The Virgin of the Rocks, c1491/2-9 and 1506-8
In his notebooks, Leonardo da Vinci reports a bit angrily that Botticelli – his friend and rival in Renaissance Florence – says all you need to do to create a landscape is throw a paint-soaked sponge at a panel or wall. The truth behind this rude remark of Sandro’s, claims Leonardo, is that if you stare at stains on a wall for long enough you will start to see landscapes and other images. The blue hills and bizarre rock formations in this dreamlike painting are surely the result of Leonardo’s radical method.
• National Gallery, London
Image of the week
Ian Dury poses outside Bela Lugosi’s former home. The photographer David Arnoff told us: “We ventured cautiously in, like trespassing schoolkids. Then we decided to get out before it was too late and [Ian] suddenly lurched toward me like Dr Frankenstein’s Igor, which suited him right down to the ground.”
What we learned
Francis Bacon’s final work was uncovered
What Bjarke Ingels has planned for the Serpentine gallery’s summer pavilion
Art UK is adding sculpture to its online collection of publicly owned artwork
Jordi Ruiz Cirera went to Murcia to document the aftermath of the housing bubble
Harmony Korine told us about his oil paintings – and his crack addiction
And finally
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